Wait...there’s Hana! She’s reaching her arm out. I go to grab it, but...this wind is keeping me from doing so, making sure I just barely have her in my grasp. She falls even further, and the lava disappears, letting Hana go into complete darkness. I start crying. I’ve...lost her again. I float away to some kind of cave. Flashing lights come out of it, and on the inside is practically an army of the blue girls. Hana’s monster is at the back once again. She pretty much consumes Hana, taking everything
cultures. In the film Sayonnara Hana Ogi is considered exotic until she assimilates, hula from being banned became popularized, and these have been seemed as normal in culture. Another sacred dance that has become normalized and introduced is the traditional Filipino dance the singkil, performed by students
In the novel “The English patient” both of the above mentioned identities can be discovered within all the expressingly dynamic characters. If we take Hana as a first example we might simply say that she is a canadian nurse aiding injured soldiers during the second world war. This statement can be referred to as social identity – it is the way Hana behaves within society. Her personal identity, however, is much more subtile and not that easy, neither to discover, nor to understand. The same, of course
identification. Japanese Manga, which are a significant part of Japanese media popular culture, not only appeal its audience across borders, but they are also remade and reformatted by other countries. One of the most famous and successful Japanese manga, Hana Yori Dango, has been remade into four different versions of TV Drama successively by Taiwan, Korea, Japan and China. Although the main plot is based on the manga, each variety of media production is localized with its own distinctive elements to represent
life, like the winds shape the landscape of the desert. He no longer has the nerve to steal anything from anyone. His hands, his the most important tools in his craft, have been mutilated and he lost his will to pursue it any longer. Here he tells Hana why has lost he no longer steals. “”You don’t understand. I lost my nerve.” “Why?” “I was caught. They nearly chopped off my fucking hands.”” (33-34). He is terribly traumatized by what took place which resulted in a more cautious form of Caravaggio
Journeys are an exhilarating and thrilling process which, allows one to pursue new opportunities and ‘Tears of Autumn’ by Yoshiko Uchida explores Hana Omiya’s journey to marry her husband. The overarching theme of hope and opportunity resonates with the metaphorical poem ‘Ithaka’, which explores a journey of hope. On the boat towards America Hana ponders that ‘Her body … was simply the vehicle transporting her soul’, the metaphor distinguishing the inner and emotional journey Hana’s undertakes to
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now he is trying to dispose all the bombs that he can so that he can try and save as many people as possible; but he was scared that he could lose Hana and that is why he did not want to get to close. And Hana’s experiences are as similar to those that Kip encountered with losing everyone she gets close too. If only a relationship could be that easy. Hana says “He never allowed himself to be beholden
In Yoshiko Uchida’s text her lifestyle, culture, and historic influences related to her writing in numerous ways. Uchida was born on November 24, 1921 to Japanese immigrants Dwight Takashi Uchida and Iku Umegaki Uchida. Both parents were educated at Doshisha University in Kyoto, Japan. Her father worked as an assistant manager at a large Japanese import-export firm while her mother wrote classical Japanese poetry, known as tanka. Yoshiko and her older sister grew up in a happy home in a Japanese
their identity. Because he cannot remember Almasy must get help remembering his past from the people around him. One of his first memories came from the book “he brought with him through the fire- a copy of the Histories by Herodotus” (Ondaatje pg 16). Hana reads some of the notes that he had written in the book; she reads of the different winds “the ---, the secret wind of the desert, whose name was erased by a king after his son died within it. And the