Hans Robert Jauss

Reading of Rumpelstiltskin Do not abuse your power, do not lie, and above all else, do not be greedy. Like many within its genre, Jacob and Wilhelm Grimm’s version of the fairy-tale Rumpelstiltskin, attempts to propagate strong moral lessons towards a youthful demographic. Many years ago, this concept held true to me, in which, with little contradiction, I was able to draw the three aforementioned conclusions from the classic fable. Recently, however, upon revisitation of the text, certain elements

this poem was written somewhere in America. This linking of the codes as is done above becomes an extratextual code. In trying to find a set of interrelated signs, one also may want to find more on the biographical extratext of the poem and poem. Robert Frost is described by Helen and Phahlele (2011:103) as someone who grew up in

DECLARATION NAME: Ndumiso Ncube STUDENT NUMBER: 46302522 MODULE NUMBER: THL 2601 ASSIGNMENT NUMBER: 02 I declare that this assignment is my own, original work. Where I have used source material, it is acknowledged in accordance with departmental requirements. I understand what plagiarism is and I am aware of the departmental policy on it. Signature: Ndumiso Ncube Date: 25 March 2013 CHECKLIST Please tick the appropriate (√) | | YES | NO | 1 | I acknowledged all source material

Patricia Rose Art 300 Dr. Pass Final Paper 5/15/2017 František Kupka: Inventing Orphism Just after the turn of the 20th century, Frantisek Kupka freed himself from the confines of pictorial representation and pioneered the world of nonobjective abstraction. Kupka exhibited a selection of completely non-figural works at the Salon d’Automne in 1912 including Discs of Newton and Fugue in Red and Blue (both 1912). It was to these pieces Guillaume Apollinaire first applied the term “orphism.” Kupka’s

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