Henrik Lundqvist

thoughts on gender roles, similar point of view of the authors relating to characters, restoration of good and how they introduce or help anticipate upcoming events which will affect the storyline and also the strive for absolute power. To start of Henrik Ibsen’s perspective on gender roles was similar to Shakespeare. To clarify, since both authors wrote a tragedy they bound to be key aspects that link such plays, in this case Nora and Lady Macbeth. Both major characters are the link. Nora was a simple

The Heroic Nora Helmer in Henrik Ibsen's A Doll's House   What does it mean to be a hero?  According to Webster, a hero is someone "of great strength [and] courage" who is "admired" for his or her "courage and nobility."1  Stretching this definition a bit further, I would argue that a hero is someone who uses this strength, courage, and nobility to help or save others.  Nora Helmer, in Henrik Ibsen's A Doll's House, leaves her husband and family at the end of the play-a move that can

In Henrik Ibsen’s A Doll’s House, Nora Helmer is a traditional “angel in the house” she is a human being, but first and foremost a wife and a mother who is devoted to the care of her children, and the happiness of her husband. The play is influenced by the Victorian time period when the division of men and women was evident, and each gender had their own role to conform to. Ibsen’s views on these entrenched values is what lead to the A Doll’s House becoming so controversial as the main overarching

Henrik Ibsen, who was born in Norway but made his name internationally, was a painter as well as the one of most famous playwrights during the period of Realism. Ibsen’s plays are well-known by the themes of domestic and political issues and conflict in nineteenth century. Scholars call it “Ibsen’s problems play” (Henrik Ibsen, 650). In addition, in Ibsen’s plays, the general topics that are usually discussed are hypocrisy of the society, restriction of women, and the self-sacrifice. Under the

Morality in the Elizabethan Era Values and morals of the Victorian era are quite different than those that our society upholds today. The satirical plays, A Doll's House by Henrik Ibsen, and Pygmalion by George Bernard Shaw, examine the problems with certain beliefs held by the people, both men and women, of the Victorian age. Furthermore, the people in general didn't not just hold certain morals, but the different classes in the Victorian society also held their own beliefs on moral code

Duties of the Individual in Antigone and A Doll's House                  The main theme that can be seen in both plays, Antigone and A Doll's House, is the duty to oneself as opposed to the duty to the state or to society.  Should the two women, Nora in A Doll's House, and Antigone in Antigone, do what the state and society wishes them to do or should they follow their own conscience? Both plays focus on the conflict between individual laws and the state law, disobedience and obedience, and

Discuss the nature of power explored in the texts, Eva Luna, and A Doll’s House In the two texts Eva Luna, and A Doll’s House, by Isabel Allende and Henrik Ibsen respectively, there are various people who have power over others. However this power comes in a number of forms, different characters use it for different purposes, and the ways the characters achieve it also differs. These different natures of power allow some people to succeed where others fail, and it is those who succeed that, in

From the very first line of Albert Camus’ The Stranger, “Maman died today,” (Camus 3) the quirky character of Meursault is shown to be different. The same holds true with Henrik Ibsen’s classic play, A Doll’s House, concerning Nora, a mother who abandons her family in order to pursue her own happiness. Both characters, while set in opposing societies, exhibit similar characteristics: a courageous, if not reckless, pursuit of happiness, be it physical in the case of Meursault or mental for Nora, and

In Henrik Ibsen's A Doll's House, Nora starts out as sympathetic person, making decisions based upon the welfare of only others, and never herself. She is a caring, naïve and loving person, making it easy to forgive her for her faults. As the story proceeds her motives are questioned, and so is the idea of whether or not she is still a sympathetic character. Previous to the opening of the play, Nora makes the decision to get a loan without Torvald's knowledge so that he can go to Italy

Nora is a captivating character in Ibsen's A Doll's House. She swings between extremes: she is either very happy or immensely depressed, prosperous or completely desperate, wise or naive, impotent or purposeful. You can understand this range in Nora, because she staggers between the person she pretends to be and the one she someday hopes to become. Throughout the play, Nora is portrayed as subordinate to her male counterpart, Torvald. As most other men during this time, Torvald believed that women