Henrik Lundqvist

Henrik Ibsen’s Hedda Gabler and Oscar Wilde’s The Importance of Being Earnest are both regarded as their best work getting praise and recognition for their contribution to the literary world. Due to Ibsen’s extensively complex main character Hedda Tesman, she is regarded to be one of the “most difficult roles in theatre” (T.Ross). The Importance of Being Earnest is Oscar Wilde’s most recognized piece which would also be his last play before being sent to jail convicted of homosexual acts. Props

From the title alone, Henrik Ibsen’s, A Doll’s House, carries an adolescent connotation, with dolls holding immediate association with young girls and youth. In this controversial playwright, Ibsen portrays his Danish protagonist as an ignorant juvenile. Set in Copenhagen, Denmark, during the 1880’s, Nora’s childlike character suggests what the lifestyle of many women during that time may have been. Ibsen reveals Nora’s innate, childlike nature incorporating strategic set placement and direction

TITLE : People may argue that George, Eilert, and Judge Brack are responsible for Hedda’s death, but in reality it is the fault of Hedda’s society.      I’ve chosen this statement for several reasons. Ibsen’s character, Hedda Gabler, represents the women of the eighteenth and nineteenth century. Hedda stands the issues of self-worth and the deflated value that each woman places upon her own importance as a result of male dominance.      We can see

Animal Imagery in A Doll's House   Animal imagery in Henrick Ibsen's play, A Doll's House is a critical part of the character development of Nora, the protagonist. Ibsen uses creative, but effective, animal imagery to develop Nora's character throughout the play. He has Torvald call his wife "his little lark"(Isben) or "sulky squirrel"(Isben) or other animal names throughout the play. He uses a lot of 'bird' imagery-calling her many different bird names. The name Torvald uses directly

Comparing Edna of Kate Chopin's The Awakening and Nora of Henrik Ibsen's A Doll's House Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life.  Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men.  The assumed superiority of their husbands traps them in their households.  Edna and Nora share many similarities, yet

Evolution Within a People in A Doll's House and An Enemy of the People by Henrik Ibsen In all cultures it is easy to see the effects of change. Change can be a revolution, a new form of thought, or a new idea surfacing. No matter what these changes are, they often emerge from the minority. In several cases this results an uprising, turning the social system on end. Simple examples of this type of change can be seen in the French or American revolutions, and even in the hippie movement of

A Dolls House By Henrik Ibsen Dramatic Critique The P’s Person: Nora, Torvald Helmer’s wife, and mother of Ivar, Bob, and Emmy. Peculiar trait: On the surface Nora’s peculiar trait seems to be her obsession for money. Her internal peculiar trait is that she desires to become significant to her husband. She spends money on material objects to decorate their home and dress up the family. The impression of the home appears perfect, like a doll’s house. Passion: Nora’s passion is to be

In Henrik Ibsen’s play, “A Dollhouse”, we learn of a woman who has been repressed almost her entire life. Nora Helmer was treated like a little girl not only by her father, but by her husband, Torvald, as well. Her life is compared to that of a doll’s in the play. In order to get what she wants she dresses and acts as to please Torvald. The two other principle characters in this play, Dr. Rank and Mrs. Linde, help to portray the characters of both Torvald and Nora. More specifically, Dr. Rank

meant to endure through everything to protect the ones they love. Although these two qualities pose a contradiction, this does not mean the traits of a man and a woman could not ever intertwine. Men are considered to be the dominate species until Henrik Ibsen’s 1879 play A Doll’s House challenges the power that men think they are entitled to have over women. Throughout the novel the

ENGL 2337 April 15, 2010 Symbolism and Sexism in Ibsen’s “A Doll’s House” Henrik Ibsen, the author of the controversial play “A Doll’s House” said, “There are two kinds of moral laws, two kinds of conscience, one for men and one, quite different, for women. They don’t understand each other; but in practical life, woman is judged by masculine law, as though she weren’t a woman but a man…A woman cannot be herself in modern