Histoire

bref de l’émergence du métier d’acheteur Acheteur est aujourd’hui une des nombreuses fonctions présentes dans de plus en plus d’entreprises. Cependant cette profession reste récente. Il est donc intéressant de rappeler son histoire et son évolution jusqu’à aujourd’hui. Histoire des achats (tableau provenant de l’ouvrage : « The Definitive Guide to Supply Management and Procurement » écrit par le Council of Supply Chain Management Professionals et Wendy L.Tate en 2013 ) : Période Statut de la profession

Katharine Cousins’ presentation on the Muséum National d'Histoire Naturelle in Paris (MNHN) explored the ideas surrounding collecting and collections addressed in the Sharon Macdonald reading ‘Collecting Practices’, focusing particularly on the notion of collections as representations of a national identity. Katharine began her presentation by defining what constitutes a collection. Here, she rightly emphasised the important role selection plays in collecting activities, while also acknowledging

emergence of ideas. The story of Aurore is an important part of the culture in the province of Quebec . Her tragedy has been published in magazines such as le Soleil de Québec and La Presse , theater pieces were made and movies. The book La Vraie Histoire de l’Enfant Martyre is a brilliant use of fiction to describe the history of a young child at the beginning of the 20th century. Throughout the book, the author well defined the historical period, the place, the differences between genders and the

his progressiveness, Histoire du Soldat provides an example of his progressive nature and a new skin for him to wear. In Histoire Stravinsky preserves aspects of his earlier works while integrating aspects of older classical music giving it a more modern feel, hence it being neoclassicism. Stravinsky’s strong point in the piece seems to be his ability to amalgamate, we here the likes of many genres including a tango in unison with the sounds of fiddle music. What makes Histoire progressive is not the

throughout the 1920s and 1930s, it was only with the Ebony Concerto that Stravinsky once again incorporated features of jazz into a composition on a far-reaching scale.” In this period his composition Histoire du Soldat, Rag-piano-music and the Ragtime for eleven instruments were very famous. Histoire du Soldat was composed base on a Russian folk tale by Stravinsky and C. F. Ramuz who was a Swiss writer. It was a theatrical need to be played, read and danced. The ragtime-piano-music composed in 1919

Olwen Hufton’s What is Religious History Now? examines the way historians looks at the outcome of religion on humans in the past. Hufton looks at the change in religion from a histoire sérielle which could be looked at in a linear fashion, to a histoire des mentalités which considers the effect that religion had on the people and the way the interacted with it. Using three category examples from Le Bra’s, Hufton first looks at the way religious commitment could be measured during any given time first

CRITICALLY DISCUSS ANY OF THE FILMS SCREENED IN THE COURSE IN RELATION TO DISCOURSES SURROUNDING THE “DEATH OF CINEMA”. WHY ARE SUCH IDEAS/DISCOURSES ATTRACTIVE TO PARTICULAR FILMMAKERS AND TYPES OF CINEMA? Notions surrounding the “death of cinema” have been infiltrating cinema discourses for many years now. As we move away from cinema in its ‘purist’ form, we have almost completely transitioned into the digital age, and with this transition, ideas and opinions on the ultimate fate of cinema have

Standing at the boundary between narrative writing and historical review, John Demos’s The Unredeemed Captive is a paragon of history writing that is simultaneously informative and intriguing. Through his entertaining text and thorough analysis, the readers may find themselves as captivated by the story as the Deerfield captives were by the Native Americans. Although often criticized for his style, Demos has produced an evolutionary way to encapsulate facts through descriptive writing. Providing

D'Argens was born in Aix-en-Provence, the eldest son of a magistrate who was made a marquis in 1720. He was given an intensive Catholic and classical education at the hands of the Jesuits, but became a skeptic and eventually a Deist. An arch-opponent of the Catholic Church, intolerance and religious oppression, his books were frequently denounced by the Inquisition. In 1724 he accompanied the French ambassador on a journey to Constantinople, where he lived for a year. After an adventurous youth,

people and their leader, Queen Pokou; in constantly questioning and subverting the narrative, Tadjo constructs alternative endings to the well-known legend of the Ivory Coast (Ligaga, 2011: 488). One chapter that best exemplifies the dual meaning of ‘histoire’ is ‘La Traversée de l’Atlantique’, where Tadjo rewrites the original legend in the context of the transatlantic slave trade. Here, the use of language is emotive, enabling Tadjo to stress the cruelty of the trade. For example, the use of metonymy