Ideal tragic hero

himself considered it the ideal tragedy. An Aristotelian tragedy is “serious action in a dramatic text that portrays incidents arousing pity and fear, causing catharsis in the audience.” Aspects of a tragedy include a tragic hero, who is neither good nor bad, who has a hamartia which causes him to ignore a divine warning or violate a moral law. A common example of hamartia is hubris, or pride. A tragedy is also often accompanied by a peripeteia, which is when the tragic hero has a sudden change of fortune

When deciding between whether the characters in the recent three plays we have read qualify as tragic heroes or not I had to take a step back and rediscover what the true definition of a tragic hero is. There are several different concepts and definitions that people believe make up a tragic hero, but the most formal and universal comes from Aristotle. He views a tragic hero as one who falls from grace into a state of extreme despair, due to an error in judgement and the heroes own actions. The playwrights

Community/Nation, Loyalty/Obligation to Family, and Observance of Religious Law. Many of the Greek tragedies that have been written include a tragic hero that has his/her tragic flaw. In Antigone there are two main characters; Creon, the tyrant king of Thebes, and Antigone, the daughter of Oedipus and Jocasta. One of these main characters must be chosen to be the tragic hero in the story. Creon and Antigone are almost polar opposites when it comes to views of society, but their attitudes are almost identical

The play Death of a Salesman, written by Arthur Miller, is a novel about an ideal American family. Although the title ‘ideal American family’ seems ordinary, failed salesman Willy Loman faces conflicts within his family and out of the household. Aristotle defines the word tragedy as ‘to face misfortune or disaster,’ and tragedy in this family expands throughout the novel. Willy Loman encountered an end that led him to pay the ultimate price: death. Author Arthur Miller focuses the novel on an average

developed into one of Western philosophy's greatest questions: why is it that people are drawn to watching tragic heroes suffer horrible fates? Aristotle's ideas revolve around three crucial effects: First, the audience develops an emotional attachment to the tragic hero; second, the audience fears what may befall the hero; and finally (after misfortune strikes) the audience pities the suffering hero. Through these attachments the individual members of the audience go through a catharsis, a term which

According to Aristotle, a Tragic Hero is described as a literary character who makes a judgment error that inevitably leads to his/her destruction. Aristotle once said that "A man doesn't become a hero until he can see the root of his downfall. "An Aristotelian tragic hero must possess specific characteristics, five of which are below: 1)Flaw or error of judgment (hamartia) Note the role of justice and revenge in the judgments. 2) A reversal of fortune (peripeteia) brought about because of the hero's

draws on the emotions of the audience is to get them to relate to the tragic hero, and that is why it was so important for a tragedy to have a proper one. Antigone features the perfect example of a hero in a tragedy. In Antigone, King Creon is the tragic hero since he is adherent to a moral mean, he is life-like, he exhibits a tragic quality which results in a plot reversal, and ends in a moment of lament. Creon is the ideal tragic hero, since he’s morally upstanding but not blameless at the same time

A tragic hero/heroine is a character who meets his or her downfall (usually death) because of a weakness they possess or a judgement in error. In “Antigone” by Sophocles, the king Creon displays the qualities of a tragic hero. Creon has a strong sense of hubris. Hubris is overwhelming pride or arrogance which causes the hero’s transgression against the gods. It is his tragic flaw. In the play, he meets his death because he has way too much pride, he has a fate he does not deserve, and he has an error

which focused on a tragic hero. The author, through these dramas, invited the audience in all while playing on their emotions and taking them on a journey through a character’s life, exposing their tragic flaw and ultimately their destiny. Aristotle once said, “A tragedy is that moment where the hero comes face to face with his true identity.” Through his ability to preserve his wisdom and virtue, Oedipus is the epitome of Aristotle’s definition of a tragic hero, despite his tragic flaws and downfall

them without hesitation. However, a tragic hero requires different qualities. A tragic hero is a character of noble birth who is fated by some supernatural force to suffer, and this because of a tragic flaw that contributes to his or her downfall. There are many great tales that come from the Ancient civilization about tragic heroes, two of them being The Epic of Gilgamesh and Antigone. One of the earliest pieces of literature