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    SCALABLE GRAPH BASED AND RANKING COMPUTATION WEB IMAGE SEARCH A.Jainabee#1,R.Shobanadevi#1,K.Suganya#1.S.Indhumathi#2. Computer Science and Engineering. Bharathiyar Institute of Engineering for women.Deiyakurichi. Jainabspm93@gmail.com Assistant professor of Information technology. Indhubtech11@gmail.com Abstract—Graph-based grade model have been at length functional in in order repossession area. In this paper, we heart on a well recognized graph-based model - the place on statistics

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    1.1 Marking Process For a thoroughly refined fingerprint image, there are only three kinds of ridge points: (1) Cn (P) = 1, Sn (P) = 1, called end point; (2) Cn (P) = 2, Sn (P) = 2,3,4, called continuous point; (3) Cn (P) = 3, Sn (P) = 3, called fork. (P, P1, P2, ⋯, Pn), where n is the number of extracted feature points, Pi = (Xi, Yi, Ti, Ai), Xi, Yi denotes the feature point Ti represents the type of the feature point, when the feature point is the end point Ti = 1, when the feature point is the

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    focusses on the enhanced image searching which can be carried out by performing few of the existing techniques used for extracting useful information from images. These techniques include image classification, Feature Extraction, Face detection and recognition and image retrieval etc. 4.1 Image Classification After the image has been processed using the 3 frameworks proposed the image needs to be classified which is done using the image classification technique of image mining. Classification can

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    representation of images, organizing and searching of images based on their content rather than annotations of image. CBIR, also known as query by image content and content-based visual information retrieval (CBVIR) is the application of computer vision techniques to the image retrieval problem, that is, the matter of checking out digital pictures in massive databases. "Content-based" implies that the search analyzes the contents of the image based not on keywords, descriptions related to image, tags or annotations

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    representation of images, organizing and searching of images based on their content rather than annotations of image. CBIR, also known as query by image content and content-based visual information retrieval (CBVIR) is the application of computer vision techniques to the image retrieval problem, that is, the matter of checking out digital pictures in massive databases. "Content-based" implies that the search analyzes the contents of the image based not on keywords, descriptions related to image, tags or annotations

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    9/11 Memorial History

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    have went through the minds of the subjects in the images, A Man Kneels before the 9/11 Memorial and The Old Vet and His Tank. Both of these photographs depict sadness for the viewer by making the men the focal points of the images. The photographers, Justin Lane and English Russia, additionally portray sorrow by the context and

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    story an entire character art all in one image and you really get involved in his world. Using light and colour cinematically places a major roll, the picture becomes an operatic framing device there so rich with props and all the other little details that when you look closer you will find something different Crewdson works with a medium format camera, eight by ten colour negatives each print is fifty-nine inches by nighty inches, when you look close at his image you see clarity and detail. Crewsdon

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    CHAPTER 3 Overview of Image Registration Techniques The field of Image Registration is an immense and ever expanding field. By the early stages of 1993, There existed over 120 papers written on registration problem, as cited in survey article written by van den Elsen et al.[199]. Since then the number of papers published have grown exponentially. This chapter will discuss elements of registration techniques according to a classification that was originally proposed by van den Elsen et al.[199]

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    that endure. Getty Images is the 800-pound gorilla of the stock photo world. Through their eponymous Getty Images site,

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    an entire character art, all in one image and you really get involved in his world. Using light and colour places a major cinematic role, the picture becomes an operatic framing device, there so rich with props and all the other little details that when you look closer you will find something different. Crewdson works with a medium format camera, eight by ten colour negatives, each print is fifty-nine inches by ninety inches, when you look closely at his image you see clarity and detail. Crewsdon

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