Impressionism

Impressionism was considered irreverent and ghastly for its incomplete appearance, lack of refinement, and academic disregard toward an established art community during the late 1800s. Although an outpouring of attention was given to dissidents from traditional styles, artists such Edgar Degas, Claude Monet, and eventually Mary Cassatt pressed forward to showcasing Impressionism as it became widely accepted across Europe and in America (About.com, 2014). The purposeful absence of clarity instilled

I visited the Monet and American Impressionism at the Hunter Art Museum in Chattanooga. This exhibition was interesting to attend because I saw the displays and the art and then learned more about them while taking this class. I absolutely loved this exhibit. There were many paintings of nature scenes, portraits of women, and urban portrayals of cities. A couple of the artists displayed were, of course Claude Monet, Childe Hassam, Mary Cassatt, and Helen Maria Turner. Each of the paintings in the

The Impressionism movement was a reaction to the realism and romantic movement. Instead of detailed, accurate and photo-like paintings of the contemporary life of realism and romanticism, Impressionist painters used more blurred brush reality to the canvas (Strickland). Specific techniques Impressionist artists used were unblended colors and quick, short brush strokes with a unique play on light. An Impressionist artists' goal was to "objectively paint reality in terms of transient effects of light

artworks, he contributed hugely to the movement and was a huge inspiration to many. In order to understand why Claude Monet created this artwork and the appearance of it, we need to understand the main influences which came with the movement of Impressionism. Many of these influences were derived from the Industrial Revolution in the 19th Century. Specifically in this artwork and the artist the Franco-Prussian War had a huge influence on the subject matter as well as the motivation of Claude Monet

my interest was sparked by him. I was curious about what made him so special in the art world. The Frenchman focused his work on the natural formation of objects and capturing light. His style was innovative and he was a leader in establishing Impressionism. When researching his work two pieces that caught my eye were Champ d’avoine (Figure 1) created in 1890 and Water Lilies (Figure 2) created in 1897. The impressionist style was present throughout his artwork which most often captured the outdoors

Impressionism bridge between past and future One critic described Impressionist painting as “tak[ing] a piece of canvas, colour and brush, daub[ing]a few patches of paint on it at random, and sign the whole thing with their name”. Manet, although never truly an Impressionist by style, he led artists including Monet, Degas, Renoir, Pisarro, Sisley and Cezanne, in a new artistic direction. This young group of artists, who had no real connection to each other until one critic lumped

characterized as a “general suspicion of reason” The Post-Impressionism, in Western art, movement in France that symbolize both an addition of Impressionism and a negative response of the styles inherent restrictions. The meaning of Post-Impressionism was started by the English art critics. A lot of painters had started as Impressionists meaning all of them had deserted the style, on the other hand, to shape their own personal art. Impressionism was found, in a strict sense, on the the nature of the

Andy Warhol Post-Impressionism and Pop Art There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his

As art practices evolved during the 19th and 20th centuries, the elite of society became an object of criticism and obscurity as subject matter, whereas the working class began to appear in artworks in a more open and positive light. This shift in artworks depicting the working class in favor of aristocracy is clear in the analysis of three different periods, with the works of three different artists: Jean-François Millet, Pierre-Auguste Renoir, and Vera Mukhina. Millet depicts the working class

The Impressionism movement in art was followed by the Realism and Romantic periods. In complete contrast to Realism and Romanticism, with its detailed, accurate and photo-like paintings of contemporary life, Impressionism brought about more of a blurred reality to the canvas. Specific techniques Impressionist artists used were unblended colors and quick, short brush strokes with a unique play on light. An Impressionist artists' goal was to "objectively paint reality in terms of transient effects