Jacques-Louis David Essay

borrowed from the Roman's strength and unity. Jacques-Louis David and Raffaello Sanzio, better known as Raphael, are prime examples of painters whose art was heavily influenced by Greco-Roman culture and

Art and the French Revolution The French Revolution was both influenced by art and influenced art. Prior to the revolution the art style that was popular in France was Rococo, an art style that depicted the life of leisure enjoyed by the aristocracy. Displaying luxury, excessive indulgence and a lack of seriousness, those who were not involved in the aristocratic lifestyle could not help but feel it was immoral and indecent. The fact that the aristocracy were flaunting their luxurious lifestyle

equestrian portrait of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the Spanish Ambassador to France, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made across the Alps through the Great St. Bernard Pass in May 1800. Napoleon comes across to me as a leader in many different of ways. Jacques- Louis David is the creator of this painting. He has put certain devices and effects

The effect of the French Revolution on painting has been a great work in the Revolutionary age which most of the artwork has shown over the years one of them is the painting of Jacques-Louis David and the other foremost painters Oath of the Horatio which has clearly shown that they are in support of the French Revolution, most of the Neoclassicists has always look back to "French painter Nicolas Poussin for their inspiration (Poussin's work exemplifies the interest in classicism in French art of

contrast with the soft curves of the female attire. The men hold weapons as their job is war, while women’s jobs are concerned with children” . According to the Khan Academy states“In 1785 visitors to the Paris Salon were transfixed by one painting, Jacques- Louis David’s Oath of the Horatii. It depicts three men, brothers, saluting toward three swords held up by their father as the women behind him grieve—no one had ever seen a painting like it”.

brush or the chisel.” (Khan Academy, n.d.). That new art was known as the Neoclassicism, and Jacques Louis David was one of the most famous Neoclassicists. He supported the rebels on the King Louis XVI through his paintings, which called to sacrifice for the good of France. Ironically, Oath of the Horatii was commissioned by the king himself and was finished before the revolution. (McCoy, n.d.). However, David conveyed messages of the Revolution through it, and he symbolized the personal sacrifice

Socrates is presented in many forms throughout the arts. Socrates’ thoughts and ideas are documented in Plato’s various dialogues and monologues, including The Republic, The Apology, and Gorgias. We see the image of Socrates through the eyes of Jacques-Louis David’s painting The Death of Socrates inspired by Plato's Phaedo Death Scene. Lastly, in Frederich Nietzsche critiques on Socrates. Each work of art gives a unique narrative and portrayal to who Socrates was as a dialectic and as a philosopher

Neoclassicism” (Oxford, n.d.) Rococo Rococo was an exuberantly decorative European style which had its origins in the French Royal Court. King Louis XV of France decreed in around 1710 that the arts should be softer, lighter and playful. He wanted to encourage artists to move away from the geometrical designs so much supported by his predecessor, King Louis XIV. The artists responded and created not only playful scenes on

laws of nature. This ideology is best illustrated in Neoclassical art such as Oath of the Horatii, The Apotheosis of Homer, and the Pantheon in Paris. At the 1785 Paris Salon, visitors were transfixed by one painting: Oath of the Horatii by Jacques-Louis David. For over a century, the Paris Salon was the greatest annual art event in Western Europe and in

relate to each other. Do not discuss each work in isolation, but rather, provide a developed comparative analysis that considers any relevant social, political, religious, and economic contexts. Image 1 Object: The Oath of the Horatii Artist: Jacques-Louis David Period: Modern World (1784) Location: Musee Du Louvre, Paris Image 2 Object: The Swing Artist: Jean-Honoré Fragonard Period: Renaissance (1767) Location: Wallace Collection, London