Jazz

Another major characteristic of Jazz music is the feel or groove expressed by the artists playing, also known as swing. Although swing is hard to define, similarly to the literature equal that is poetry, Duke Ellington states, “It don’t mean a thing if it ain’t got that swing.” (ABC XXX). In another words without swing, jazz is not jazz. Christopher Meeder states, "Many consider this sense of swing to be indescribable...In jazz this sense of swing is accomplished by allowing performers to toy with

Commercial Jazz Duke Ellington, one of the most influential musicians in jazz, was known to have described his own unique brand of the genre as American Music. While the reach of jazz ended up breaking past the western hemisphere, it was a definitively American phenomenon (Dyas). The style of the jazz-age, exemplified notably by Fitzgerald’s The Great Gatsby, described perfectly the commercial birth of jazz and the spontaneous lifestyle of the 20’s. However, the commercial styles of jazz such as the

say about the early jazz. These types of music came about all the way through the Southern United States at some point in the eighteen hundreds. Ragtime, a musical technique that influenced early jazz, emerged from the St. Louis, Missouri, area in the late 1890's. It rapidly became the most popular music style in the United States. Ragtime was a vigorous and syncopated assortment of music, primarily for the piano, that give emphasis to a formal composition. A conventional jazz band would consist of

Jazz and The White Critic The article “Jazz and White Critic” by Amiri Baraka brings light to an element of jazz criticism that he is frustrated by. Baraka finds controversy in the ideas white critics write about regarding jazz music. Baraka states, “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In the 1960’s, when Baraka made this statement, jazz was becoming more popularized and socially accepted. African American jazz musicians took a long

for counterpoint, trombone or tuba or percussion for tempo), that rather frequently were marching bands, or single pianists, who quite commonly were jazz pianists. Contrary to blues music, that was particularly done by afro-americans, jazz music was as inter-racial as the fusion of New Orleans. Blacks were not the just one that performed jazz. Jazz bands were established by Italians, Creoles and entire type of European settlers. The "African" origins of the music might or might not have been evident

to mistreatment and neglect of many black Jazz musicians during the 20th century. As history states it is a harsh reality that many blacks and African Americans faced severe neglect and abuse in the 1900’s especially black Jazz musicians. As a result, today we are forced to question whether black musicians benefited as much as they should have or if they even benefited at all from their innovative dedications to jazz music. Statistics show that white jazz musicians earned money and wealth, black musicians

activities, but can’t find that right class to fit their expectations. Jazz Ensemble is perfect for you. “Jazz Band is super fun and it's not uptight; Jazz Ensemble is an exclusive group so every member is important and makes you a valuable member of the team” said Reannon Stark (18’). Becoming a new member of the team takes a lot of just being you. Being in Jazz Band does take a lot of dedication, preparation and motivation. “Jazz Band is one hour every red day but there is a lot of it that goes outside

Jazz midterm 1. Louis Armstrong is credited in the book titled Jazz as the “single most important figure in the development of jazz.” He is known as the only major figure in Western musical history to have a profound influence as a singer and an instrumentalist. His defining qualities as a performer were the emotion, beauty, and technical mastery he brought to each performance, and he knew how to please an audience. Performing jazz was a personal and powerful experience to him, and it was communicated

On May 13, 2016, the Vocal Jazz Ensembles at Sacramento State University had their one of the last concerts before the semester ended, which was directed by our professor Gaw Vang Williams. This concert was performed by four groups and different solo, which was completely different experience from the first two concerts that I attended at Sac State. In this Vocal Jazz concert, there was packed and a lot of audiences who were friends, family and students come to support and enjoy before this semester

An Evening of Jazz On November 17th, 2016, I attended a jazz concert and had quite a time. The experience was captivating, and gave me a warm feeling inside. There were three different bands that play in the hour slot, and all of them sounded magnificent, but “The Santé Fe Jazz Combo” and “Santa Fe Big Band” stood out the most. The only thing these two bands have in common is that some of the musicians play in both bands. Otherwise, these jazz fanatics are polar opposites. When listening to “The