Jean-Honoré Fragonard

Jean-Honoré Fragonard created The Swing in 1766 with oil paints on a 2’ 8.6’’ by 2’ 2’’ canvas. It is located in London, England in the Wallace Collection. During the time this work was created, France was an aristocracy and The Swing portrays a glimpse of the luxurious life of the ruling class. King Louis XV ruled during a time when France was the most prosperous and powerful country in all of Europe. Through the influence of Madame de Pompadour, the arts prospered during this time. In the 18th

Throughout history, artists have frequently taken inspiration from another artist’s work for their own piece. While taking inspiration from a different work, the artist might alter what their work represents. A painting created in 1767 by Jean-Honoré Fragonard heavily influenced a piece of digital concept art created by Lisa Keene for the 2014 film Tangled. Both pieces are titled The Swing, and while similar in composition, the pieces imply very different scenarios. The composition of the two pieces

sensuality as they were more commonly asked for. Women’s textile dresses were excessive, to say the least. Rooms were smaller to make everything else look more extreme. The Swing by Jean-Honore Fragonard has been described as the embodiment of the Rococo era paintings. Born in Grasse of the French Riviera, 1732, Fragonard, spent most of his time studying at the studio of François Boucher after his family moved to Paris. After being awarded the Prix de Rome, a French scholarship, he continued his

in a painting and Jean-Honore Fragonard was the only artist of the time to agree to this request. Jean-Honore Fragonard’s The Swing also known as The Happy Accidents of the Swing is a stupendous example of the Rococo era because of how dainty and light it was which is ironic because of its adulterous themes. How Fragonard portrayed St. Juliens vision made men of the Enlightenment uncomfortable and enraged with the artwork because it made men look immoral and foolish. Jean-Honore Fragonard’s claim

smell the sea air. Therefore, it allowed me to engage deeply in the setting along with the figures in the canvas spending their leisure time at the seashore. As soon as I recognized their apparel, I could associate this artwork with the woman in Jean Honore Fragonard’s canvas oil painting, The Swing, from the textbook. Both of the artworks enhanced my understanding of how the classes would differ. In specific, I could sense the barrier between the class statuses: the upper middle class and the upper

How Rococo and Neoclassicism Illustrate the Process of Deciding in their Paintings The artists Jean-Honore Fragonard and Jaques-Louis David both successfully embody their respective stylistic differences. Fragonard’s style of painting is Rococo, which is characterized by its softness, asymmetry and curviness. Contrasting these ideals is David’s style of painting, Neo-Classicism. Neo-Classicism is synonymous with strong gestures, symmetry, and solidness. Two works that best exemplify the ideals

Jean-Honoré Fragonard created his painting, The Swing, in 1767 using oil paint on a 2’8” x 2’1” dimension canvas done during the 1700- 1800 Age of Enlightenment. Working in the Rocco style, the piece reveals a quiet, peaceful, and relaxation atmosphere that has viewers amazed on specific detailed find. His painting is currently in London, United Kingdom displayed at Wallace Collection. In The Swing, Fragonard uses soft colors, emphasis, implied motion, and atmospheric perspective space to capture

The Rococo style was popular in France during the 1700’s after the days of Versailles and into the days of the aristocratic women hosting salons. Rococo artists sold their works to the wealthy people of society to decorate their lavish salons to awe their guests. The artwork gave the salons their sense of luxury and sensuality with scenes of classic love stories and lacey dresses. After the impressionist movement came the post-impressionist movement in France. This movement was less unified then

The Swing by Jean-Honore Fragonard, is an oil on canvas painting (2′8″ x 2′1″) created in 1766. This painting is often brought up when one discusses the Rococo period of art, as it is considered to be one of the most recognized of the period. This painting is the epitome of the Rococo style of art. Rococo was an art period that appeared in the early 1700s, when the reign of Louis XIV came to an end. It’s a combination of the Italian word Barocco, and irregularly shaped pearl; with the French word

Flourishing during the reign of Louis XV and disappearing toward the end of the 18th century, Rococo was a playful opposing response to the solemnity of Classicism and the grandeur of Baroque. As dominant political power was shifting from France to England, and Venice was beginning to become stale in the political sense and become more of a site for tourists, there was a chance for artistic styles to change as well Moreover, with the end of Louis XIV’s reign, movement away from previously mentioned