José Sarney

Reality television is one of the most popular genres featured on broadcast media. Although its name implies an honest and impartial story, reality television is one of the most-edited and manipulated forms of television, where producers decide what is seen by the audience through their careful selection of music, footage, camera angles, and lighting among many other important features. Through their design choices and careful edits, producers are able to create narratives and meanings that otherwise

interested in painting at such a young age. His parents designated a room for him to pain murals on the walls. Growing up he attended art classes after school in Mexico and continued art classes in Europe. He studied in the Academy of San Carlos and in Jose Guadalupe Posada’s workshop. He dedicated himself to studying traditional European artistic styles and combined with the influence of Mexican folk artist Posada, his distinct Mexican style of art blossomed. Diego Rivera also became interested in the

The Mexican revolution played an important role in motivating Mexican artists to restore their culture and to teach their people. The objective of the early mural movement in Mexico was to create an understanding of the history of Mexico in order for the citizens to unite and at the same time to understand since many of them were illiterate. After the Mexican Revolution the government needed to figure out a way of transforming a very divided Mexico into a systematic nation of "Mexicanos". It needed

The entrepreneurial company I have decided to do my analysis on is Inboard. Their pitch was shown in episode 10 on Shark Tank. Inboard is a company centered on the sale of electric skateboards to urban areas. There are many electric skateboards out on the market, but the Inboard team believes that their product provides significant value over their competition. The main value that differentiates them from their competition lies within the product design. The skateboard that Inboard is selling has

My fellow Americans. A natural disaster has hit the San Francisco area. A category 5 earthquake has destroyed what a lot of you know as home. My self and the first lady extend our deepest sympathy to all of you that’s been affected by this tragedy. I'm speaking to you from San Francisco—a still partly standing, and nearly empty shell of what once was a diverse, proud, and historic city. Today I have signed an emergency funding bill of $1 billion to support recovery efforts that will take effect

An infamous, disastrous earthquake is not an everyday occurance. While many have never experienced one in their lives and probably never will, there are those who have unfortunately been through the catastrophe. A man named Jack London was one of those people who had personally witnessed the aftermath of the San Francisco earthquake of 1906, and went on to describe the tragedy. Jack London demonstrates the scale of the damage through use of vivid language such as repetition, human characteristics

A Reflection of a Revolution Exploitation of Mexico by Spanish Conquistadors vividly illustrates the struggle of the native Mexicans during the inquisition, depicts the violent and savage oppression by the Spanish conquerors, and satirizes the rule and authority of Cortes. This mural by Diego Rivera was the last of the corridor panels painted in the Palacio National (Khan Academy). His spectacular approach portrays an accurate narrative of Mexican history. It is a summarization of the Spanish enslavement

to create some art that could teach people who could not read or write about Mexican history. Celebrating the Mexican culture of craft and the Mexico’s history was a key idea in Mexican muralism. The movement was led by Siqueiros, Diego Rivera, and José Clemente Orozco, also known as Los tres grandes. Between the 1920s through the 1950s, they created a style that defined Mexican culture following the Revolution. The muralists made a collection of portraits of heroes from the Mexico’s well-known from

Essential question: To what extent were social divisions the cause of the mexican revolution, and to what extent were these issues resolved by revolution? Introduction: Diego Rivera was without a doubt the most influential artist of the twentieth century. Rivera painted murals that influenced thousands of eyes and challenged them to think deeper. Diego Rivera was a zealot in the sense that he had a burning passion for his murals, that more often than not addressed social inequality. These murals

A man struggles, unable to rise to his feet. A woman toils, unable to support her companion. A basket of fuchsia torments, unable to consider its damage. A society discriminates, unable to give its workers equality. In his painting Cargador de Flores, Diego Rivera denounces subjugation by portraying two commoners struggling to survive. Rivera employs these workers as a representation of the proletariat class of Mexico, and by utilizing his illustration to depict the working people of his country