Joseph LaShelle

policy of civilizing Africa. However, literal materials have said little about the evils that surrounded the well sometimes ill-disguised motives of explorers, colonial administrators and their adventures. This essay provides an in depth review of Joseph Conrad’s Heart of Darkness, a classical novella that illustrates without bias the motives behind human intentions and the extremes individuals can go to achieve wealth and profits at the expense of others with the aim of shedding insight into the

cultures tend to oscillate between these two poles, and thus the same culture can seem simple, authentic, concrete, or, on the other hand, odd, uncanny, and arbitrary" (ibid.). While this paradigm of shifting viewpoints is exemplified by Marlow in Joseph Conrad's Heart of Darkness, it seems to find its resolution in Sigmund Freud's assertion that in many ways the modern man is the primitive man.     Marlow's oscillation between viewpoints is almost startling in its rapidity. On his very first

The Heart of Darkness by Joseph Conrad Marlow, an ordinary sailor with idealistic dreams, goes on a dark yet fascinating journey as a newly hired riverboat captain, traveling up the Congo River, seeking out the legendary chief of the Belgium trading company. When describing typical sites and events situated in the Congo, Joseph Conrad wrote "The Heart of Darkness" in a first person's view, with Marlow as the highlight character. As he writes on about Marlow's experiences, he portrays typical

presumption of guilt rather than innocence. Miller convincingly uses fiction and dialogue to recreate a very real moment in history, which due to the timing of the play's release may also have been purposely created as a response to the actions of Joseph McCarthy. Joe McCarthy defiantly states," I have in my hand a list of 205 cases of individuals who appear to be either carrying

the enlistment numbers were getting lower every day. Many working-class men raised the slogan, "It's a rich man's war but a poor man fight." (Davis p.231) Lincoln and the Union were in a bad situation. Now Lincoln replaced the commanding general, Joseph Hooker, with General George Meade. Lincoln was not pleased with the ground that Hooker had attempted to gain. Meade had "been long enough in the war to want to give the Confederates one thorough licking before any peace is made." (Beringer p. 261)

Was Stalin a Success? Whether Stalin was a success can only be measured in two ways, his own terms, in the terms of Russia or in the terms of Communism - meaning whether what he did with 'Communist' Russia would have been seen as Communist by Karl Marx. How much of a success was Stalin? - If at all and from whose point of view was he a success or not. Stalin being a success in his own terms that is what he would of felt he achieved and what he believed made him a success

universal appeal? A closer look reveals that Almost Famous, like most films worth their salt, is yet another incarnation of the greatest and only mythological adventure, “The Hero’s Journey.” This relationship can be explained using the framework of Joseph Campbell’s phenomenal book, The Hero with a Thousand Faces,

our earliest civilizations. In more recent years, however, symbolism has taken on a new role, forming the skeleton upon which the storyteller builds the tales of his or hers thoughts and adventures. Knowing the power of this element, Joseph Conrad uses symbols to help the reader explore dark interiors of men. The symbols become a vehicle that carry the audience from stop to stop, the ride becoming an evaluation of the darkness contained inside the hearts of mankind. Through

Heart of Darkness Versus Apocalypse Now: The Death of Kurtz Joseph Conrad wrote Heart of Darkness to disguise his disapproval of European imperialism in the Congo. He describes the chaos and savagery found in the Congo to convince Europeans that they should stay out of Africa. Francis Ford Coppola made Apocalypse Now to disguise his disapproval of American involvement in Vietnam. He depicts the merciless slaughter of countless Vietnamese to show Americans that the United States does more harm

Human Nature in Heart of Darkness and Apocalypse Now In Joseph Conrad's "Heart of Darkness" and Francis Ford Coppola's "Apocalypse Now" the reader learns more and more about human nature as Marlow, Captain Willard, go farther and farther up the river in search of Kurtz. An evil side lies within every man, but this evil remains repressed by society. When moving up the river and farther away from civilization, the evil side begins to break out. Whenever basically different cultures meet