Judith Wright Essay

in a play-within-a-play, Taming fostered a critical interest in the intersection between performance and gender long before the phrase"gender trouble" became commonplace. The recent debates about performance, culture, and theater sparked in part by Judith Butler suggest, however, that it is time to revisit our analysis of gender and performance in this play. Although there are a number of

Judith Butler argues in Performative Acts and Gender Constitution that gender is created by the act of performance and is constructed through the body. She states “gender identity is a performative accomplishment compelled by social sanction and taboo” (Butler 416).The concept of the display of gender through the act of performance is perpetuated within the play Latins in La-La Land by Migdalia Cruz specifically through the characters Sid/Rita and Lorenzo. Both of these characters put on gender and

push darker thoughts to the back of their minds to be dealt with at a later time. Hanging in the Philadelphia Museum of Art (PMA), the painting Leyster, The Last Drop (Fig. 1) captures the complexities of coming to terms with one’s own mortality. Judith Leyster’s use of lighting, color, and symbols in the piece come together to express the struggle people go through to give their lives meaning in the context of eternity, making observers confront the temporal limits of their humanity right on the

Second Skins: The Body Narratives of Transsexuality – Jay Prosser Prosser (1998) enters the gender-identity conversation with a rather counter-intuitive project. At a time when poststructuralism is busily deconstructing the sex/gender linkage in ways that transcend the materiality of the subject, Prosser wants to bring the “ontological” trans body back into the dialogue by charting the arc of the changing body within transgender narratives. Only by mapping these transitions in this frame can he describe

CHAPTHER ONE INTRODUCTION Joanna Russ’s The Female Man mainly represents how its central characters, Jeannine, Joanna, Janet and Jael, affected by society when they playing gender roles. In this chapter there are three main sections. The first section mentions the life of the author, Joanna Russ, the second section is about the summary of The Female Man and the third section outlines my research questions under the name of Research hypothesis. 1.1 Joanna Russ Joanna Russ was born February

Twyborn Affair …a naturalistic paradigm which establishes a causal continuity among sex, gender, and desire…an authentic-expressive paradigm in which some true self is said to be revealed simultaneously or successively in sex, gender, and desire… —— Judith Butler, Gender Trouble I. Drag: From Eddie to Eudoxia In the first part of the novel, Eddie appears in the identity of Eudoxia Vatatzes, living in France with her aged Greek husband Angelos Vatatzes. White doesn’t

happening in this picture? Why? Artemisia Gentileschi’s was one of the skilled painters of Baroque era who created a masterpiece of Judith Beheading Holofernes which portrays the biblical character, Judith. Judith, who first seduced Holofernes, then beheaded him with his own sword. She is accompanied by her maid. Maid seems to hold Holofernes with all her strength. Judith has grasped his hair on the beard with her left hand and she is beheading him with her right hand. This piece of art looks very violent

The Judith and Holofernes piece is important to history because it shows rebellion in women which was not often seen, it also is important because it paved a path for other artists to venture out in it’s state which was free standing statues. The Judith and Holofernes art is by Donatello, it was created in 1460 towards the end of his career. Moreover, the Judith and Holofernes piece was created in the 1460’s during the years of free art. The painting was created because of the lead of religion

The artist Artemisia Gentileschi, the year 1598-99, painted on canvas with oil paint. This painting called Judith Beheading Holofernes is know as a baroque painting because of its use of shading the background completely black to draw focus to characters, it also displays a wide variety of emotions. The subject of Judith Beheading Holofernes is simple and is right in the title, it’s about Judith over powering Holofernes, choking him with ribbon and later taking his head off. This is a very powerful

Postmodern fragmentation of gender According to Lee (1999), postmodern theories abandon modernist singular identities for a fragmented version of history, where individuals are unstable, constantly moving objects. Post-structuralist discourse feminists have dramatically altered views of gender and sex, creating a distinctly new paradigm for the concept of womanhood, and providing 'a comprehensive demolition job on Western orthodoxies' (Sheehan, 2004, p.21). In his way, identity is not only socially