Kathryn Lasky

Frank Lucas; American Gangster What is the one thing every person, white or black, rich or poor, American or Hispanic, wants to have plenty of in their possession? If it’s green, flimsy paper with different values on the front then money is the answer. Whether it’s 19th Century, 20th Century, or 21st Century, people work, steal, worship money. Human beings aren’t always satisfied with the amount of money they have, so they work harder, steal, rob, or cheat hoping to satisfy their money obsession

War is a largely abstract concept to the average American. It is ubiquitous in news reports, political debates and our culture, but not tangibly understandable. Aside from the small pockets of the population that have experienced warfare, the jarringly focused and rigid representation of EOD team leader Sergeant First Class William James in Katherine Bigelow’s film The Hurt Locker (2008) provides insight to a world that much of the audience will never experience. Although The Hurt Locker would be

the dangerous and exhilarating thrills of battle. Kyle had written about his journey from high school to becoming a Navy Seal in American Sniper using oxymorons, symbolism and emotional language from the perspective of himself, as well as his wife. Kathryn Bigelow presented the story of James’ experience in Iraq by implementing stylistic features such as music, cinematography and atmosphere. These texts revealed the life of the protagonist in their perspectives showing their frequent close encounters

The Hurt Locker The Hurt Locker by film maker Kathryn Bigelow conveys the theme of the movie at the very beginning. The theme is a simple quote by Chris Hedges which states, “The rush of battle is often a potent and lethal addiction, for war is a drug.” (Hedges) The film 's greatest achievement is its ability to communicate the underlying truth of this quote consistently throughout the movie. Sergeant First Class William James, played by James Renner, captures this message through his job description

Hunger made Elie and his father only closer, but everyone has to eat. The quote is after Elie and his father ran more than 20 kilometers from Auschwitz to an abandoned village. Being hungry, thirsty, and especially exhausted would be the only things a person would think if they had done the march while hungry and thirsty. But Elie comes said that quote to prove the strength of the bond between him and his father. Another time in which the prisoners marched was running to Gleiwitz. They stayed there

The Help: a Timeless Timepiece The Help by Kathryn Stockett is one of the most marvelous novels capturing the zeitgeist of the 1960’s written in recent times: being published February 10, 2009. This novel not only described the situation between African-American maids and their employers, but encapsulated the thoughts and sentiments of the people that characterized the decade of the 60’s. These thoughts were depicted well because the author, Kathryn Stockett, grew up in Jackson, Mississippi; the

Technically, the opening scene of Kathryn Bigelow’s The Hurt Locker is unnecessary. The story doesn’t really start until Jeremy Renner’s Sgt. James first arrives ten minutes later. At that point, his adrenaline-based nature and his relationship with the men in his unit become the paramount focus of the film. However, for what Bigelow is doing, that opening scene is absolutely essential. For the viewer, this essentially extended TV teaser slams you into the action. Suddenly, you’re on the battlefield

The Help is Kathryn Stockett first novel, published in 2009 by G.P Putman’s Sons 2009. It has spent more than 100 weeks on The New York Times Best Seller list. The main themes of the book include racial segregation, a male dominated society and social hierarchy. What makes this book a truly scintillating one is the grave humor and imagery used to highlight the condition of Black maids in the 1960’s in America. The book is narrated by three very different women; Minny, a black maid unable to keep

The Help (2011), based on Kathryn Stockett’s novel of the same name, follows the stories of Skeeter Phelan, Aibileen Clark and Minny Jackson in 1960s’ Mississippi. These women come together to write a book from the perspective of the “help”, a group of African American women who are mistreated by the white families they work for. I chose this movie for its strong female protagonist and the brave women who risked their lives by letting their voices be heard. Skeeter Phelan breaks away from the traditional

“They say it’s like true love, good help. You only get one in a lifetime,” (Stockett, 437). The Help is an enlightening book in which Kathryn Stockett talks about the things others are scared to approach. This is a story about racism, segregation, risk, and violence, specifically between the help and their employers, in Jackson, Mississippi around the time of Martin Luther King Jr. This touching book was turned into a movie in order to reach an even larger number of people. From the protective