The origins of kiko, or travel literature, in Japan spans to well over 1000 years ago. One of the earliest examples of kiko is Ki no Tsurayuki’s Tosa nikki, a diary which Tsurayuki wrote most likely in 935 during the Heian period of Japan. Another important example of kiko, which is similar in ways yet also very dissimilar to Ki no Tsurayuki’s Tosa nikki, due in part to the many years that the two are separated by in terms of when they were composed, is Matsuo Basho’s Oku no hosomichi, or Narrow
there are many differences there are perhaps an equal number of similarities between the two works, which offers a converse view of the relationship between them. In regards to the authors of Oku no Hosomichi and Tosa Nikki, Matsuo Bashō and Ki no Tsurayuki respectively, there are several points of interest when comparing them. One of the main points is that the authors lived in completely different times, which shows in their style of
I chose The Tosa Diary for this journal because it is not too deep for me to understand the whole passage. Tosa Diary is written by a famous Japanese scholar and a poet named Ki no Tsurayuki. He wrote this diary in a woman’s voice, to freely expressed how he feels and also to give him a break from writing protocols and administrative office work. He wrote this diary while traveling to the capital of Kyoto. Tsurayaki wrote about expressions of personal emotions such as the death of a child. There
Kokinshu was written during the Heian Period (796-1185) of Japan by “a team led by Ki no Tsurayuki.” (Norton B, 1104) This work of art is composed of poems written about everyday life, i.e. “seasons”, “parting”, “travel”, “mourning”, and “puns and wordplay.” (Norton B, 1104-1105) From the work of art, there is one poem from Book 1. Spring that I would like to cover. The second poem, which was written by Ki no Tsurayuki, said,
periods. Almost two centuries later, the Kokin waka shū or Kokinshū, meaning “Collection of Poems Ancient and Modern,” was compiled under the imperial command of Emperor Daigo in AD 905 during the Heian Period by several well-known poets like Ki no Tsurayuki. Unlike the Man’yōshū, the Kokinshū’s
Apology of Socrates The Tosa Diary is written by a famous Japanese name Ki no Tsurayuki. Tsurayuki is a poet, scholar, and a government administrator. He also received a middle-rank appointment as provincial governor of Tosa on the island of Shikoku. Tosa diary is a day-by-day record of a travel to Kyoto while Tsurayuki was traveling by the boat. Tosa diary is the first poetry in Japanese. While writing the Tosa Diary, Tsurayuki based his own experiences using a voice of a woman. This is possibly the
and nikki (diary) (Handout 8). Murasaki Shikibu’s Genji Monogatari (Tale of Genji) is probably the most famous work from the era and therefore I will focus on it as an example in the monogatari genre in this paper; as for the second genre, I will use Ki no Tsurayuki’s Tosa Nikki (Tosa Diary) in
Japanese literature in the Heian period was most popular for its domination of women’s culture (Hooker, Richard). During this time, a new writing technique was implemented called hiragana. This was especially accepted as a woman’s way of writing since a woman knowing Chinese characters was considered unladylike. For many years Chinese characters was the only accepted way of writing, thus the birth of a new writing technique was like a revelation. This incorporation made a huge impact on Japanese
Dorf Samantha Ms. Lee Global History 23 March 2015 The Golden Age of Heian Periods of time with peace and stability politically and religiously, paired with flourishing arts, are called "Golden Ages". One thriving, revolutionizing time like this occurred in Heian, Japan from 794 to 1185 C.E., under the rule of the Fujiwara family. Succeeding the Nara period, many aspects of the Heian culture, such as Buddhism and the writing system, were borrowed from China. However, in this time, Japan took those