Leni Riefenstahl

in the Twentieth Century: Leni Riefenstahl a) Describe the major influences that led to the rise to prominence of your chosen personality in her nation’s history. The major influences that led to Leni Riefenstahl’s rise to prominence includes a fateful event that kindles her fascination with film, the continual influence of mountain (Berg) films and acclaimed director Dr Arnold Fanck as well as her first début as a director and producer. In 1925 Leni Riefenstahl injured her knee whilst dancing

Leni Riefenstahl, arguably the most renowned female film-maker of all time, and unarguably the most influential, created a number of films that were lauded across the world for technique, innovation and beauty. Leni first entered the world of film making as a dancer and an actress after finding acclaimed director Dr Arnold Fanck. She convinced Fanck of her acting ability and secured a role in one of his films, shortly afterwards she was commissioned by Fanck to make her own films. Under Dr Fanck’s

Leni Riefenstahl was one of the most controversial filmmakers of the twentieth century. She was well known for her imposing propaganda films in support of the Nazi Regime, in which she should be held accountable for glorifying the Nazi’s and her involvement with Hitler. Based on the evidence gathered, my speech will show that Leni Riefenstahl is guilty as a war criminal for her contribution to Nazi mayhem. From the earliest accounts of Riefenstahl’s career, it is clear that she was prepared

Leni Riefenstahl’s rise to prominence is multifaceted and her background, context and circumstances all contributed significantly to her notoriety. She is regarded as one of the most controversial and influential figures in the world of cinematography, and due to the growth of the film industry in Germany during the Weimer Republic, the continual influence of the expressionistic and nationalistic genre and the auspicious event that kindled her fascination with filmmaking, she became a ‘rising star’

one dominant reading (Aufderheide, 2007). Propaganda filmmaking is usually created by governments and political figures to impose hateful/nationalistic viewpoints and ideologies on the general populous (Aufderheide, 2007). Triumph of the Will (Riefenstahl, 1935) and Prelude to War (Capra, 1943) demonstrate that documentaries have the ability to create a false representation of history due to the filmmaker's

Having directed and acted in many films, Leni Riefenstahl has become a major figure of the Nazi film industry. Her most well-known film Triumph of the Will (Triumph des Willens, 1935) is still considered the greatest propaganda film of all time. While Riefenstahl claims that the film is a documentary and based on “history”. Susan Sontag 's response is that the film it is seen as a portrayal of a fascist society. A Nazi propaganda tool and not necessarily intended as a fascist viewpoint. Sontag reasons

Leni Riefenstahl was a highly successful individual, greatly attributed to her ambitious attitude and rise to prominence. She is considered one of the most influential and controversial female film directors of all time. Riefenstahl was a dancer, actor, film director, author and photographer. Her success can be ascribed to her preparation to use other individuals for her own benefit, this can be evident through her relationship with Harry Sokal, a jewish banker (maybe use maybe not). -Deliberate

Handout 1: Questions for Triumph of the Will by Leni Riefenstahl (1934/35) 1. Why does this film begin with a view of the clouds from the cockpit of an airplane? What might this image symbolize? I believe that the film began with a view of the clouds from the cockpit probably because Hitler was on the plane and it showed that he felt superior to everyone down below, or that he was finally in the midst of completing what he wanted which was to have a perfect Germany under his reign. 2. What

German Workers ' Party). After his election as chancellor in Early January 1933, Hitler gave Leni Riefenstahl the job of filming the annual NSDAP conference in Nuremberg, Germany . Riefenstahl accepted the offer and agreed document, direct and edit the Conference. As years pasted, the infamous “documentary” began to be speculated as possible Nazi Propaganda. Although presumptions began to arise, Riefenstahl stated that Triumph of the Will was clearly a factual documentary and stated: “Not a single

theatrical performance Aunt Raini was inspired by Leni Riefenstahl, a world-renowned filmmaker who creates the documentary "Triumph of the Will” of the Reich Party Congress 1934 in Nuremberg. Sadly, most of Riefenstahl’s works after this documentary are reference as pieces of propaganda for the Nazi Party, which led to her to be misunderstood and isolated within the art and film communities throughout her lifetime. In this performance, Leni Riefenstahl, also reference as the protagonist character of