Marathi literature

Abstract A drama as part of literature is admittedly a convenient way for showing social problems of society in which story is told to the audience through the performance on the stage by the actors. The present paper aims to study the Vijay Tendulkar’s ideas about marriage at family in his play Kamala. The play based on a real life incident. Kamala is a play that elucidates the predicament of women. The play explores show women have been treated by male counterparts. Women are oppressed, misused

Vijay Tendulkar was a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator. He is best known for his plays Silence! The Court Is in Session (1967),Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972). Many of Tendulkar's plays derived inspiration from real-life incidents or social upheavals, which provides clear light on harsh realities of life. He provided his guidance to students studying "playwright writing" in US universities.

Shantata! Court Chalu Ahe (Silence! The Court is in Session, 1967) was his first play in which he marked out as a rebel against the established values of the society. This play combines social criticism with the tragedy of an individual victimized by society. The play represents the mental conflict of the protagonist, Miss Leela Benare who appears during the mock-trial as an accused. The plot of the play revolves round the trial of Miss Benare. Her role eclipses the roles of her male-counterparts

Charanjit Padda is a 21-year-old female enrolled in the Criminal Justice program at Humber College. She was born and raised in Toronto and currently lives in Etobicoke, Ontario; however, both of her parents were born and raised in Punjab, India. Her father was raised in the city of Hoshairpur, and her mother was born and raised in Jalandhar. Charanjit’s mother and father met through her father’s sister. Years later, her father’s older brother moved to Canada and was willing to sponsor him. In 1991

Man’s hunger for power and status is not new. In his race for power and fame he sacrifices even his blood relations. Present paper highlights the same fact by preseting a review on Vijay Tendulkar’s play Ghashiram Kotwal, where Ghashiram sacrifices his own daughter and makes a deal with Nana Phadnavis and becomes the kotwal of Pune just to get power and to take revenge of his insult. This results into victimization of people which in turn leads to his destruction as well as his own daughter’s life

The Plays of Vijay Tendulkar: A Study CHAPTER II ART AND VISION OF VIJAY TENDULKAR Janardhanreddy. K The title of the play, The Vultures itself signifies the unpleasant atmosphere of the play. The vulture is a ferocious and ruthless bird that eats the flesh of animals that are already dead. A person who hopes to gain from the troubles or sufferings of other people can be termed as a vulture figuratively. The play tells the story of the Pitale family: Mr. Hari Pitale, his two sons, Ramakant and Umakant

Researchers study the different communities. The methodology and theory that they use to analyse the community literature either oral or written differs in its application as well as comprehension. Many scholars have approached the issue in a different way. But still there is a growing demand for the more reliable empathetic theory and methodology to understand the life experiences of the communities’ especially nomadic communities. I will concentrate only on Nomadic Communities in the scope of this

the sensibility of Shakespearean dramas. It is an undeniable factor. The film became real by utilizing the possibilities and challenges of the adaptations of dramas into films. Here adaptation performs the role of eliminating literary elements of literature in film media. Thus adaptation diminished theatricality and literariness and acquires the cinematic elements. As a lingual, genre and cultural trans-creation, Karmayogi should have been gained much acclaim in the history of World Film Scenario especially

Ahmad Beg Mirza Khalil A. Beg has reviewed Gopi Chand Narang, Mughani Tabassum, Masood Hussain Khan’s works, and some poems of Faiz Ahmad and Iqbal in stylistic frame work. He observes that linguistics and literature have a close relationship and without language we cannot understand literature. A writer utilizes language according to his own creative and communicative needs. Beg discussed the relationship between author, creation and critic and after explain the Saussure work’s sign and symbols.

Discussion: Nemade’s Attack on Bogus Internationalism Before defining his concept of nativism and its need in literature and criticism, Nemade comes down heavily on the hollow and bogus internationalism pursued by Indian writers and critics before and after independence. He admits the fact of cultural imperialism that hampers our growth as a confident society, nation