Mariano Rivera

Female representation in contemporary art scarce compared to male artists, so these two pieces, Madame de Pompadour at Her Toilette and Self Portrait as a Tehuana are great examples of how women are presented and how they showcase themselves in similar ways although these were made almost two decades apart. At a glance they may seem like completely different works, but with further examination we are able to uncover their many similarities. Both works focus on self-representation, identity, fashion

The Latino community is not just a group of people with the same heritage, but a family who works together to give others a better life and success. Being a Latina in such a world where minorities do not have as many opportunities as the privileged majority is very difficult. Especially in these times where minorities aren't able to have a say in their government and are attacked for their heritage. However, standing together as a community against oppression can be just as powerful as a united whole

4. Frida Kahlo essentially became an international cultural icon, honored by many people, especially in Mexico. Her artwork withholds visual symbolism of all kinds of emotional and physical pain and most importantly she incorporated indigenous culture and her depiction of the female experience. Including illustrating the feelings of death, loneliness, pain, including the pain of miscarriages, failed marriage, and the aftermath of tragic accidents. Through her imagery, she was able to portray her

As noted by scholars such as Robinson (2001), the feminist movement of the 20th century was motivated by social and political movement in the United States; the purpose of the movement was to establish women equality. This movement was a success as it transformed the women lives and was able to exert profound impact on the American society. The first two decades had marked emergence of women groups that aimed to attain women suffrage, pushing for constitutional amendments for women to be guaranteed

Frida had an affair with Leon Trotsky while he was living in her home. Trotsky was only one of the many men and women with whom Frida had an affair with while she was married to Diego Rivera. In the movie, it is even hinted at that Frida had an affair with Diego’s ex-wife. During the roaring twenties and on into the 30’s and 40’s, sexuality and promiscuity were beginning to become more prevalent in society. This new breed of women

be proven through analyzing the portrait to prove the above quote. Frida Kahlo's full name was Magdalena Carmen Frida Kahlo y Calderón de Rivera. She was born in Mexico on July 6, 1907. Kahlo's work was mainly centered on creating self portraits, but she did on occasions paint her family and friends. She married world famous Mexican muralist Diego Rivera, he frequently visited the United

     Diego Rivera is considered the father of Mexican mural art and the father of modern political art in Mexico. Diego reinterpreted Mexican history from a revolutionary and nationalistic point of view. Not only did Diego expressed powerful ideas in his murals, but he also applied the tools he learned with modernist techniques. More than any other artist, Diego Rivera provided models for incorporating cultural past and ethnic identity into an alternative modernist vision

Crystal Huizar Hum 123 SA9- Paper #1 9/15/2012 Woman Grinding Maize – Diego Rivera One of my favorite art works is La Molendera, or The Woman Grinding Maize, by Diego Rivera. The medium of this painting is oil paint on a horizontal canvas that measures 106.7 x 121.9 cm. When I first see this painting, the woman dressed in white with her hair split in two braids, grinding maize on a stone, is what stands out to me the most. It is traditional for women in Mexico that make tortillas to grind the

Diego Rivera Diego Rivera he is a Mexican painter who produced murals on social themes and who ranks one of my countries greatest artists. He was born in Guanajuato and educated at the San Carlos Academy of Fine Arts , in Mexico City. he studied painting in Europe between 1907 and 1921, becoming familiar with the innovative cubist forms of the French painter Paul Cezanne and Pablo Picasso. In 1921 Riviera returned to Mexico and took a prominent part in revival of mural painting initiated

that he would be visiting her to see her progress. He finally came to see her new paintings and told her she had talent. What followed was an invitation from Diego Rivera for Frida to attend a party where she meets the photographer, Tina Modotti and David Alfaro Siqueiros, another mural painter who is also a communist. Diego Rivera introduces Frida to the politics of the Communist Party and she also becomes his