Marie de' Medici

was distinguished by exaggerated dynamism and clear detail, flourished. Art during this period aimed to embody clear detail to represent the drama and grandeur. Rulers such as Marie de Medici sought to captivate on this new art movement by using it as a way to promote the power they had and the legitimacy of their reign. Marie commissioned the renowned Peter Paul Rubens to paint a series of twenty-four paintings in order to vindicate her triumph as the queen of France. Rubens did just that, as he re-envisioned

Marie De Medici: Marie De Medici was the daughter of Francesco I and Grand Duke of Tuscany, she was the wife of Henry IV and mother to her son Louis XIII. Marie's son Louis was sent to Palazzo, Pitti,Florence to build a house that was similar to her home as a child. Marie focused on decorating her palace in the 1620’s. She hung lots of paintings and art by many artists on the history of the Medici family. By 1630 Marie left France after a political struggle. Giovanni De Bicci De Medici: Giovanni

Baroque art encompasses a broad range of art from Dutch genre paintings to dramatic and theatrical Italian pieces. Because of the religious, socio-economic, and political events of the time, Baroque art can hardly been contained into one description. Politically, the rulers and monarchies used commissioned art to emphasize assert their authority, power and right to rule. Religiously, the Reformation caused the Catholic Church to commission provoking pieces of piety and devotion. And Socio-economically

The Works of Rembrandt and Rubens During the 17th century, especially after their break from Spain, The United Provinces of the Netherlands became the most prosperous nation in Europe by leading the world in trade, science, and art. Through the huge and one of the first art markets, art became a common household possession and allowed artists to freely express themselves, which is one of the evidential factors in three of the most universally admired artists of the baroque art era. Rubens, an influential

In 1600, Peter Paul Rubens left his home in Antwerp, and he set off to Italy. Soon after arriving in Italy, Ruben entered the service of the Duke of Mantua, Vincenzo Gonzaga. • The duke's palace had a great art collection, and Ruben found time to visit various other cities in Italy since he wasn't expected to be at the household all of the time. • Rubens completed his education in Rome. • During Rubens' first visit to Rome, he painted 3 altarpieces for the Church of Sta Croce. • In 1603, Peter's

beginning of the 17th century, France was a place of internal strife and bickering bureaucrats. The king, Louis XIII, had come to the throne in 1610 at the age of nine, leaving the running of the kingdom to his mother, Marie de Medici. One of her court favorites, Armand de Plessis de Richelieu, rose through the ranks, eventually gaining the title of Cardinal and becoming one of Louis’ key advisors and minister. His political manifesto, Political Testament, was a treatise for King Louis XIII that

Is powerful woman behind the scenes, Catherine De Medici a power hungry ruler using her children as pawns in creating an Italian, French dynasty or loving mother who only wants her children to succeed in the world? Read on to see how we talk about her many characteristics and ways of ruling the dynasty and her offspring. Throughout time, many women have tried to put a mark on this world, but many have failed. Catherine de Medici is one of the few that made an immense impact on society and who

Did the Medici family impacts have more of a pro or con impact? The immediate and long term impact of wealthy families like the Mediciś. Cosimo de Medici ruled the city of Florence in 1434 and Florence was ruled by the Medici for the next 303 years until 1737 .During Cosimoś ruling he concentrated on Florence and its politics, this in turn made politics rule Florence not money. There was a declining factor of financial imagery in 1529, this lead the Medici´s to change from merchants to aristocrats

George Gemistos Plethon on God: Aristotle vs Plato In this paper I examine George Gemistos Plethon's defense in his De Differentiis of Plato's conception of God as superior to that of Aristotle's. (2) Plethon asserts that the Platonic conception of God is more consistent with Orthodox Christian theology than the Aristotelian conception. This claim is all the more interesting in light of the fact that Plethon is, as it turns out, a pagan. I argue that Plethon takes the position he does because

Incorporation of Classical Iconography Within the Commissions of Lorenzo de’ Medici and Pope Julius II Julius II and Lorenzo de’ Medici arguably had not so dissimilar goals in their patronage. Patronage was a tool for exerting political power, exemplifying personal magnificence, and invoking a sense of civic duty. These patrons attempted to display different pieces of these attributes in different ways. Lorenzo de’ Medici, born into arguably the most prestigious family in Florence, grew up familiar