Metaphysical poets

Robyn Leatherwood ENGL 3313 Dr. Speller Dec 3, 2014 John Donne: A Medieval Man but A Metaphysical Poet When examining writings from the Baroque period, John Donne is widely acknowledged as the leader of metaphysical poetry. While there are other well-known writers who made this style of poetry popular, Donne is by far the most discussed and most analyzed. The term metaphysical developed from John Dryden describing Donne’s work as “[affecting] the metaphysics, not only in his satires, but in his

John Donne was a metaphysical poet who wrote of love and religion. Metaphysical poetry is characterized as being difficult poetry that questions life and religion. John Donne’s poetry was published in 1633, but no one knows the exact date most poems were written. John Donne present many realistic types of love through monologue characterizations. In the poems The Flea, The Canonization, and A Valediction: Forbidding Mourning, Donne presents raw sexual love, boastful love, and true spiritual love

The word Wit has multiple definitions, most of which metaphysical poets use in their distinctive poetic style. Definitions for wit include: “the keen perception and cleverly apt expression of those connections between ideas that awaken amusement and pleasure” (Dictionary.com 2014) and “understanding, intelligence, or sagacity, astuteness” (Dictionary.com 2014). In this paper I will unpack the main features of metaphysical poetry and explore the relevance of wit and conceit in relation to John Donne’s

In poetry, poets can shape every component (words, syntax, rhythm, punctuation, etc.) to convey a unique meaning. Small changes in such elements can have drastic effects on what the reader will draw from the poem. Often, poets will rely on some tools more than others to try and convey their meaning. Many times, the period in which the poet is writing will strongly influence how the poet uses these elements. John Donne and Gertrude Stein are considered shapers of metaphysical poetry and modern poetry

recollected in tranquility". This quote definitely holds true to Andrew Marvell's poem "To His Coy Mistress" and John Donne's poem "The Flea". The theme of each of these are quite similar, these two metaphysical poets both used poetry as a way to convince their lovers to have sex with them. Being metaphysical poets, their writing styles are indeed similar as well; argument, union of lovers souls, abstruse terminology, and carpe diem. Although both Donne and Marvell used the same theme and writing styles

These poems were written during the Elizabethan era, which was an era mainly characterized by love and colonialism, on separate terms of course. These principles often influenced poets who lived during this period. Their poetry acts as testimonies of their underlying thoughts and desires. Furthermore, metaphysical poets deliver a more divine and profound perspective to their poetry. Within their conceits, they manage to engage and delight themselves in deeper movements. This essay will further discuss

able to break them apart. John Donne was known for being the one that started the use of metaphysical conceit. A metaphysical conceit is when an analogy is used between one entity’s spiritual qualities and an object in the physical world and sometimes controls the whole structure of the poem. Donne does this throughout the whole poem. He was called the founder of the “Metaphysical Poets”. “The Metaphysical Poets are known for their ability to startle the reader and coax new perspective through paradoxical

Metaphysical Poets John Donne and Andrew Marvell were considered metaphysical poets based on their use of conceit and wit in depicting similar situations through different metaphors. They would use original analogies to create fitting and insightful comparisons, usually to persuade. John Donne and Andrew Marvell have been called metaphysical poets. This is a,” name given to a group of English lyric poets of the 17th century” (Metaphysical poets)” The term metaphysical poets came to be used almost

sense founded the metaphysical lyric, which was practiced by scare of writers. As Dowden says, “We are told that in the decline of the greater poetry of the Elizabethan period, a metaphysical school arose and that John Donne was the founder or the first eminent member of this school.” John Donne set up a new tradition in versification by and large Donne must be regarded as an original poet, “a poet who gave much more than what he borrowed from his age.” The word “metaphysical” has been defined

The Metaphysical and Victorian concept of love is as diverse as it can be particularly comparing the intense love shown in 'Porphyria 's Lover ' by Robert Browning with the playful love in nature in 'To His Coy Mistress ' by Andrew Marvell. Love has multiple definitions and it has so far remained among the most complex subject that require a single particular definition to define its meaning. Plato once said "At the touch of love everyone becomes a poet" and that 's why may be we have so many diverse