Michel

During the Russo-American Era, the Russian choreographers, such as, Michel Fokine, Anna Pavlova, Vaslav Nijisky, Léonide Massine, Sergei Diaghilev, and Bronislava Nijinska; they benefited from its American audience and started to make dramatic changes to the classical ballet. Every single one of these choreographers implemented and transformed the way people view, danced and perceived ballet in the 20th century. An example of this is Michel Fokine, when in 1914 wrote a letter to the London Times, stating

Russo-American Era, the Russian choreographers, such as, Michel Fokine, Anna Pavlova, Vaslav Nijinsky, Léonide Massine, and Bronislava Nijinska; they benefited from its American audience and started to make dramatic changes to the classical ballet. Every single one of these choreographers implemented and transformed the way people view, danced and perceived ballet in the early 20th century. Several ideas for these innovations were from Michel Fokine, when in 1914 wrote a letter to the London Times

Jean-Michel Basquiat was ahead of his time. Basquiat had many critics who deemed his artwork as child-like and did not view his art as successful. Critics were mostly unaware of the meaning of Basquiat’s art due to his ambiguity about his pieces. Basquiat did not like to explain his work. His artwork speaks for itself in many ways, about different topics from different angles. Perhaps if the critics understood the iconography behind Basquiat’s works they would understand him a little better. Basquiat

Power is usually defined as the ability to achieve a desired outcome, i.e. to ‘do’ something. The concept of power is normally defined of by the legislature in a rational sense, having power over others. There are three dimensions of power: decision making power, non-decision-making power and power as thought control (Buse et al 2005). Foucault’s view on power is one which extends across several different sites; gender, race and sexuality. Observing power in contemporary society as “disciplinary”

Panopticism, a social theory based on Jeremy Bentham’s Panopticon and developed by Michel Foucault describes a disciplinary mechanism used in various aspects of society. Foucault’s Discipline and Punish discusses the development of discipline in Western society, looks in particularly at Bentham’s Panopticon and how it is a working example of how the theory is employed effectively. Foucault explains, in Discipline and Punish that ‘this book is intended as a correlative history of the modern soul and

History is often portrayed as a two-sided story, the winners, and the losers, and a vast majority of the time these same winners are the ones that write the history, however, history is more complicated than that. Michel-Rolph Trouillot said, “History does not belong only to its narrators, professional or amateur." This quote resonates with a lot of people due to unequal representation in the historical narrative. When reading history we usually look for something that was written by someone with

İrem Hamamcılar Lecturer Burak Yiğit Film and Literature 1 May 2015 Eternal Sunshine of the Spotless Mind: From Alexander Pope to Michel Gondry Eternal Sunshine of the Spotless Mind is a movie that shot by Michel Gondry in 2004. The movie has science-fictional elements, although it is a low-budget production. The scenario of the movie is written by Charlie Kauffman, based on the poem Eloisa to Abelard (1717) by Alexander Pope. In this essay, I will analyze the movie adaptation of the poem Eloisa

does not matter if you are surfing the web, going to the store, or even driving a car; it is almost always under surveillance. While Michel Foucault does not specifically talk about modern surveillance technology in Discipline & Punish (1977), much of the primitive technology that he does talk about is directly related with today’s surveillance technology. Michel Foucault believes that societal surveillance began to take effect during the 1600’s to control the masses. Many modern surveillance technologies

How Panopticism is used in Society Panopticism models our system of control and power. Using disciplinary actions, institutions have gained power more easily and effectively without using physical power. Michel Foucault’s theory of Panopticism is incorporated to many institutions in modern society. Government and institutions gain control through discipline and people’s fear of punishment. Panopticism uses surveillance to change the behavior of a person mentally rather than physically. The Panopticon

There are a number of continuities of themes and interests in Foucault’s work. There is also evidence of shifts of emphasis, changes of direction, developments and reformations, which have led to a number of critiques of Foucault’s work to talk about breaks, differences and discontinuities within his work. One moment least a shift of emphasis does appear to be present is in the writings which emerged after the Archaeology of Knowledge and after the brief cultural and political event known as May