Miloš Forman

Cicero believed that a good orator must do three things in his speech: earn the favor of the audience, provide persuasive arguments, and move the audience with emotional appeals. In his defense of Marcus Caelius Rufus one finds an excellent example of Cicero’s work and through close examination can glean some additional information about what Cicero felt was needed in a good speech. With such scrutiny it becomes readily apparent that each of the three objectives need not be attained equally. Because

One of Dali’s most recognizable works is with the melting clocks in his, The Persistence of Memory, which represents a vision of his view from his home and studio in Port Lligat Bay on the Costa Brava in Catalonia Spain. This painting relates to Albert Einstein's theory of relativity which states that time is relative or not fixed. The watches were symbolism of this theory and the passing of time. Dalis idea for this painting came to him in a dream he had about cheese that formed into limp flimsy

history of vases, temples, and human sculptures. More specifically, Greek art is renowned for its precision to detail and the meaning of every aspect in the fine arts. The Muse Terpsichore’s sculpture will be described, compared to the statue of Venus de Milo and analyzed in the eyes of ancient Greek’s mythological knowledge. In the Muse Terpsichore, known as the Muse of dance or Stesichore (Cartwright))’s statue, the sculpture’s standing figure on its plinth and dress code define the artist’s intent to

Winged Victory: The Nike of Samothrace The Nike of Samothrace (fig. 1) Charles Champoiseau uncovered pieces of masterfully worked Parian marble in April of 1863.1 On Samothraki, the island from which Poseidon is said to have watched the fall of Troy, these segments of stone came together to form four main sections: a torso, a headless bust, a section of drapery, and a wing.2 The sections were shaped to be assembled though the use of cantilevering and metal dowels, allowing

first time. Before me is standing statues of warriors, death, and life. The stark white of the figures makes any evil become instantly pure. I turn slowly, enjoying this most immensely, and then I see one of the most famous pieces of art ever, Venus de Milo. She’s extraordinary, more

is an innumerable amounts of simmering discontent, gender inequality designates higher than most other conflicts that was present during the 50’s. The novel, A Streetcar Named Desire by Tennessee Williams and One Flew over the Cuckoo’s Nest by Milos Forman expresses the simmering discontent in the 1950’s. In the 1950’s, the inequality of gender conflicted women in the United States. A woman’s goal in life was to get married, have children, and to primarily take care of the house. An article by

texts, we are able to see the theme become the clear connection by using film techniques and language techniques that can help show this thematic idea is a common connection across these four texts. One Flew Over the Cuckoo’s Nest directed by Milos Forman is a film that shows us the suicide of a young patient Billy Bibbit, the events before this death are what in fact drives young Billy to suicide. The events leading to Billy’s suicide is where Nurse Ratched proceeds to say what would Billy’s mother

unwillingly, these children will come home knowing things that parents regretted their children finding for years. As Milos Forman had said, “The worst evil – and that’s the product of censorship – is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself,” (Forman, 2014). No one shouldn’t rely on self-censorship because people may not be as safe as they think they are. People may bump

Miloš Forman and John Steinbeck in their texts One Flew Over the Cuckoo’s Nest (1975) and Of Mice and Men (1937) heavily use and explore the key ideas of ambition and companionship explored throughout their texts, primarily through the use of characterization but also through imagery and symbolisms. Alongside techniques, Forman and Steinbeck utilise other themes and ideas to further develop and convey their ideas, exploring the effect and power of ambition and dreams alongside belonging and individuality

only distressing action, but a symbolic one, as it symbolises a great sacrifice, the sacrifice of McMurphy’s mentality for the mentality of the other patients. Forman using this lobotomy to draw in the audience into yet another dimension as to leave them with an unforgettable, engaging and entertaining experience at the end of the