Modern philosophy

ords Since the 18th and 19th century the world has spiralled into an ever-changing and fast paced place where the possibilities are endless and technology and science rule. There was the introduction of machines, modern technology and science which gave the world incredible inventions such as the motorcar, aeroplane, the radio and electricity. These are the things that bought civilisation into modernity, it changed not only how people used the world but how they saw the world and envisaged the future

today through there use of clean fine lines, luxurious looks, geometric structure and the modern style,

Modern dance was created as a rebellion against the prevalent dance forms of the time, ballet and Vaudeville. It is a form of theatrical dance, known for its continual fusion of non-western style and ideas, which allows for a fresh source of movement inspiration. Choreographers rejected what they classified as the inflexible and imperialistic nature of ballet, and in order to be taken seriously as artists rather than simple entertainers they created a new art form. Artists Loie Fuller, Isadora Duncan

Theater has taught me many skills and many new inventive ways to use them in the world I live in. Many may not know that theater is just one of those fields you can use not only on the stage but also in your personal life. There is so much philosophy and principles to think about when it comes to theater and you think to yourself, how I am supposed to use this in the world I live in today, and even in my career as an actor. Theater has taught me to take life by the hand and practice, going over the

Coming to terms with modern architecture, we must read through such seminal statements through their sensibilities and societal myths which they exemplify. Now, we shall explore parallel themes to do with new myths of modernity, poetic expressions of technology, the reemergence of abstraction, and analogies between architecture and other realms such as minimalist sculpture, landscape art and nature. Architecture oscillates between the unique and the typical where the old and new may

California. She became a known dancer and instructor, and she influenced dance techniques today. She was one of the people who came up with dancing in a natural way, unlike modern ballet, allowing the performer to feel right. She didn't believe that dance should be unnatural to the person's body. She was a great influence to modern dance. After her birth in 1877, her father lost his job at a bank in California. Not shortly afterwards, her parents divorced around 1880. Isadora was raised by her mother

Lorser Feitelson (modern artist). However, Tansey studied historic art in New York at Hunter College. In his work, he basically used simple objects, paintbrushes, and paint. He has been working around the New York and Los Angeles area most of his life. He lives in Los Angeles where he has a studio for him to continue his work. Style of Art/ Period in History Mark Tansey is a postmodern artist. Postmodern art is a Twentieth century movement that is quite opposite from modern art. Postmodern is

Clive Bell and the Formalist Theory “Art is a recurring form of human practice. Some have argued that all human societies have shown evidence of artistic activities.” (Carroll 5) Man has long created art, this much is certain. However, man has never ultimately defined art. There are so many things which qualify as art and as many qualities to each piece that trying to find answers only seems result in more questions. The formalist theory of art, as present by Clive Bell,

contributed to modern dance. In a recent questionnaire she wrote of how ‘He transformed dance into unconventional classical lines, turned in (parallel) shapes and revolutionised costume design away from the traditionalism of the classical tutu’ (Symons, 2017). His choreography was considered unorthodox as Balanchine took traditional classical steps and experimented with them in a way that people hadn’t seen before (Kisselgoff, 1983). After failing at many attempts to open a modern classical school

given a slightly different meaning by the historian and theorist, Kenneth Frampton. Critical Regionalism can be briefly defined and understood as an approach to architecture which attempts to oppose placelessness or the lack of identity in today’s modern architecture (Linda, 2012). Kenneth Frampton states that: “Critical regionalism is not regionalism in the sense of vernacular architecture, but is, on the contrary, an avant-gardist, modernist approach, but one that starts from the premises of local