Modernist drama

to David Lodge realistic literature is based on “ their obsession with form to neglect the content and the third person omniscient mode is more often used to assert or imply the existence of society or history, than of heaven and hell. Therefore, modernist fiction eschews the straight chronological ordering of realistic material and the use of reliable omniscient intrusive narrator”. In her novel, Jeanette Winterson uses a “method of multiple points of view” and her novel “tends towards a fluid and

But who has the will to concern himself with such dangerous maybes? For that, one really has to to wait for the advent of a new species of philosophers, such as somehow another and converse taste and propensity from those we have known so far--philosophers of the dangerous "maybe" in every sense. (Friedrich Nietzsche, Beyond Good and Evil, sec 2.) This will not be one more lament for the sad state of contemporary American poetry. Yet to define some of the basic strengths of new work I have

William Faulkner’s As I Lay Dying and in Virginia Woolf’s A Mark on the Wall - Subjective Narratives in Modernist Texts Like many other modernist texts, William Faulkner’s As I Lay Dying employs many unreliable narrators to reveal the progression of the novel. One of the most interesting of these narrators is the youngest Bundren child, Vardaman. Like the rest of his family, Vardaman is mentally unstable, but his condition is magnified due to this lack of understanding of life and

that I did know very much about modernism or literary modernism. I soon discovered that modernist literature is greatly rooted in the philosophical movement of modernism that took place in the late nineteenth and early twentieth centuries. This was a movement that centered on the heightened awareness of the self. The atrocities and shock factors of World War I greatly contributed to the development of modernist thought. There began a significant focus on the self-conscious. For example, the stream

A Farewell to Arms - Modernism In the A Farewell to Arms, Ernest Hemingway incorporates a literary style known as Modernism. Literary Modernism, or Modernist literature, had its origin in the late 19th and early 20th centuries. The horrors of World War I perceived, were taken into consideration by Modernists as the prevailing assumptions about society were reassessed. Thinkers such as Sigmund Freud began questioning the rationality of mankind. Hemingway includes perspectivism, impressionism, and

The birth of the modernist movement in American literature was the result of the post-World War I social breakdown. Writers adopted a disjointed fragmented style of writing that rebelled against traditional literature. One such writer is William Faulkner, whose individual style is characterized by his use of “stream of consciousness” and writing from multiple points of view. World War I had a more profound effect on society than wars prior. With new deadly weapons, like poison gas, high death

snippet of life? They are uncountable, and that is the reality. Modernist writers strive to emulate this type of reality into their own work as well. In such novels, there is a tendency to lack a chronological or even logical narrative and there are also frequent breaks in narratives where the perspectives jump from one to another without warning. Because there are many points of view and not all of them are explained, therefore, modernist novels often tend to have narrative perspectives that suddenly

William Faulkner      William Faulkner is one of America's most talked about writers and his work should be included in any literary canon for several reasons. After reading a few of his short stories, it becomes clear that Faulkner's works have uniqueness to them. One of the qualities that make William Faulkner's writings different is his close connection with the South. Gwendolyn Charbnier states, 'Besides the sociological factors that influence Faulkner's work, biographical

William Carlos Williams “Philomena Andronica” and Gertrude Stein’s “Identity, a poem” are both visually and tonally very different texts. However, Stein and Williams have both used similar approaches to literary form in their poems as can be seen in their non-traditional approach to meaning generation and rejection of grammatical convention. The poems also both show an interest in the notion of identity and it’s fluidity, although Stein employs repeated images in her investigation whilst Williams

prominent author during the modernist period, claims in his Author’s Note that his novel The Secret Agent is “telling Winnie Verloc’s story” (Conrad 36), despite Mr. Verloc’s self-proclaimed nature as a ‘secret agent’. Conrad’s attempts at creating a feminist and modernist image of Winnie are shadowed by the constant presence of a man behind her actions. Conrad’s use of repetition of the words ‘free woman’ in the text falsifies this claim even further. If the purpose of modernist literature is to break