Mrs. Hayashi’s Creative Outlet Women who assume the traditional role of staying at home to care for their children and their household responsibilities often need a creative outlet to express themselves, their ideas, or just to get away from monotony they experience in the day after day domestic routine. Many women find various forms of art a fulfilling way to satisfy their need for personal expression. Similarly, in the short story “Seventeen Syllables” by Hisaye Yomamoto, the “stay-at-home-mom”
found its way directly into the wallets of those candidates and became a personal ATM. To be fair, the Mora brothers contributed heavily to their choice as well and never considered the implications. The only implication when they donated money
The house was lit up with blue and red. Miss Mora and her daughter were being escorted back into the house. I could see them grabbing a set of suit cases from the hallway closet. An officer crossed my sight as he surrounded the property with yellow tape. He stumbled over a pink obstruction that lay
In the poem, Immigrant by Pat Mora , Mora writes about the lives of a couple who are immigrants and how they raise their children to fit all of the American society standards. Mora uses an optimistic tone in order to reveal the message that being a fine American is accepted more in society’s eyes. Mora’s tone of optimism is seen towards the close of the text when the parents wonder if “they” will like their children. In lines 7-10, Mora writes “ speak to them in thick English, hallo, babee, hallo
Charles Mora was born on July 30th 1908. Mora never had a day off, even being born was work since maternity wards, drugs and obstetrical/gynecologists would only be available in the future. He was born to a family who believed in God, country and hard work. In the early 1900's work was tied to basic necessities of life, food, shelter, clothing. Work was not about luxuries in life, it was about survival. The average life expectancy was 47, 14 percent of homes had bath tubs, there were only 8000 cars
Pat Mora is an award-winning writer that bases most her poems on tough cultural challenges and life as a Mexican American. She was born in a Spanish speaking home in El Paso, Texas. Mora is proud to be a Hispanic writer and demonstrates how being culturally different in America is not easy. She explains this through her experiences and the experience other’s. In her poems “Elena”, “Sonrisas”, and “Fences”, Mora gives you a glimpse of what life as a Mexican American is; their hardships, trials
“legal aliens” by Pat Mora and the painting, “self portrait: On the borderline between Mexico and the United States” by Frida Khalo, cultural identity is key. Both the art and poem, relate in some ways, and incorporate culture identity. In the poem “legal alien”,by Pat Mora and, “self portrait: On the borderline between Mexico and the United States” By Frida Khalo involve:culture, juxtaposition, and Theme. Cultural identity is important in the poem and art, in the poem Pat Mora is still trying to
Pat Mora. This is a poem which compares contrasting world using different types of figurative language. This poem compares the two worlds that the author and speaker seem to be stuck between. This poem uses various forms of figurative language to compare two aspects of the author's and speaker’s life. Mora was born on January 19, 1942, and she started her career as a poetry writer after her college education. She graduated from Texas Western College in 1963 (Academy of American Poets). Mora has
The poem "Sonrisas" by Pat Mora is about someone torn between two lifestyles. Mora uses contrasting diction between the two stanzas to show her feelings towards both rooms; Mora also uses sibilance to further portray the differing nature of those two rooms. Mora's diction and use of sibilance in the first stanza create a tense atmosphere in the room. In lines 6 to 8, the speaker says, "careful woman in crisp beige/suits, quick beige smiles/that seldom sneak into their eyes". Words like "quick", "seldom"