Mourning Becomes Electra

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  • Electra Essay

    1348 Words  | 6 Pages

    The House of Mannon Eugene O’Neill’s Mourning Becomes Electra is a play of revenge, sacrifice, and murder conveyed through visible references to Aeschylus’ House of Atreus. O’Neill alludes to The House of Atreus in order to ground the play; attaching the plot to well-known aspects of history. As well, it brings a certain significance that otherwise would be neglected if their underlying manifestations went unnoticed. The most prominent of these allusions is that to Aeschylus’ House of Atreus. O’Neill

  • Realism In Desire Under The Elms

    732 Words  | 3 Pages

    and romanticism. But he is not averse to using melodrama in his plays colorless and monotonous. So in Mourning Becomes Electra, he shows Orin shooting Brant, Christine shooting herself, Orin shooting himself out of guilt-complex and Lavinia dramatically entering the haunted house and the life of life-long seclusion. These melodramatic situations add color to the drab realities which might become uninteresting. The most significant element of O'Neil's

  • Eugene O’neill and the the Rebirth of Tragedy a Comparative Survey on Mourning Becomes Electra and Oresteia

    2317 Words  | 10 Pages

    Eugene Gladstone O'Neill is one of the greatest American playwrights, he is known for plays such as “Long Day's Journey into Night” ,”Beyond the Horizon” (1920), “Anna Christie” (1922), “Strange Interlude” (1928), “Mourning Becomes Electra”(1931)and The Iceman Cometh (1946). His plays probe the American Dream, race relations, class conflicts, sexuality, human aspirations and psychoanalysis. He often became immersed in the modernist movements of his time as he primarily sought to create “modern

  • Summary Of ' The Flies '

    1267 Words  | 6 Pages

    years ago. Orestes then recalls that Agamemnon had a daughter name Electra, so he asks Zeus what her take on this whole ordeal is. Zeus then explains that Agamemnon also had a son named Orestes. The audience of the play quickly realizes that Orestes is undercover in his journey to reach Aegisthus. Orestes is able to enter the palace and finds out the reality of what is happening inside. Here he comes into contact with Electra. Electra is known

  • The Libation Bearers and Hamlet

    1308 Words  | 6 Pages

    go and invents long philosophical, religious and ethical reasons why it was not the right time to kill him. That’s why as the sense of duty towards his dead father grows, fed partly by his father’s ghost, partly by Rosencrantz and Guildenstern, he becomes abnormally fierce and frustrated. However he is not delaying Claudius’s murder because of the madness which is fake as Eliot calls it "a simple ruse, and to the end, we may assume, understood as a ruse to the audience". He defers the action because

  • The Libation Bearers and Hamlet

    1302 Words  | 6 Pages

    The Libation Bearers and Hamlet Many of Shakespeare’s plays draw from classical Greek themes, plot and metaphors. The tragedies of Sophocles, Aeschylus, Euripides and Homer have themes like royal murders, assassinations by near relatives, the supernatural, ghostly visits, and vengeful spirits of the dead- themes which reappear in Shakespeare’s tragedies with a difference. Shakespeare’s tragic hero Hamlet and Aeschylus’s Orestes have a great deal in common. Both the plays are set in a time when

  • What Is The Theme Of Black Mod By Rosália De Castro

    1683 Words  | 7 Pages

    drive. The desperation that can be so easily detected is less likely to be a result of being apart from her husband; it is more probable that she felt that way after losing all the laughter, love and happiness of her child after he died. Lastly, the Electra complex argument that is so often attached to this song could allude to the fact that she was a one desperate woman in fear of losing her beloved husband - her guardian. However, this premise can be easily refuted by the fact that Rosália De Castro

  • Life In The 1920's

    528 Words  | 3 Pages

    O’Neill had dark and violent views of human nature. He used the theatrical methods, that no one else have ever used before. The way that he used them carried an emotional power never seen before in America. Some of his best known plays were “Mourning Becomes Electra,” “The Iceman Cometh,” and “A Long Day’s Journey Into Night.” A good number of American writers produced great poetry during the nineteen twenties. The most famous was written by T. S. Elliot, and it was called “The Waste Land.” Another famous

  • Judith Anderson Biography

    599 Words  | 3 Pages

    Judith anderson was an australian actress. Judith birth name was Frances margaret anderson and she was born on frbruary 10, 1987, in adelaine, south australia to Jessie Margaret and James Anderson Anderson. Judith attended norwood high school. She made her debut in 1915 as her birth name at the threatre royal in sydney, playing stephanie, in a royal divorce with a scottish actor julius knight whom she gave the credits for helping her in acting. There were some american actors who suggested her to

  • Biography Of Eugene O'Neill Essay example

    1514 Words  | 7 Pages

    five month. O’Neill returned to his parents’ home. It was there among the turmoil of a despondent father and a morphine-addicted mother, he became an emotionally turbulent person characterized by drunken sprees that was one reason that he decided to become a playwright. During his recuperation, O'Neill read voraciously. His reading ranged across the whole Western dramatic canon, but he devoted special attention to Ibsen, Wedekind, and above all, Strindberg He began to write in earnest, working