Oedipal Complex in Hamlet Essay

Hamlet, by William Shakespeare, is a very complex play with many catechisms scholars study to this day. One such question relates to Hamlet’s procrastination for vengeance of his father’s death. Confronted by the ghost of his father, Hamlet is instructed to “revenge his foul and most unnatural murder” (Shakespeare I.v.31), yet he goes on to tarry the act for almost the entirety of the play. This brings about many ideas as to why he took such delay and the effect it had on the characters involved

In response to his jealousy, Hamlet attempts to make his mother jealous using Ophelia as a pawn and the relationship as a “half-conscious desire to play her off against his mother” (Jones, page 99). For example, when Hamlet’s mother requests him to sit next to her, he responds, No, good mother. Here’s metal more attrac- Tive (Hamlet.3.2.102-103), referring to Ophelia and indicting that he finds her more beautiful. Hamlet completely disregards his mother's wish and sits at Ophelia’s feet, a false

Shakespeare’s Hamlet, Prince Hamlet is in a state of complete emotional upheaval. His father dead, killed by his uncle, Claudius, his mother, Gertrude, then wed to the vary same uncle who now possesses the throne, his father’s ghost haunts him and bids him avenge his death, and the woman he once loved, Ophelia, denies his advances, all of which contribute to Hamlet’s soliloquy and aggression towards Ophelia in the end of the scene. The renown words of “To be or not to be” capture the audience as Hamlet explores

become more intense”, and the Oedipus complex will be carried past childhood into adulthood; this makes it very difficult for him to form relationships with other people especially women. In other words, the child will never grow out of this and he will be dysfunctional in adulthood. In 1910, Ernest Jones published “Hamlet and Oedipus” this was the first time that the Oedipus complex was connected and present in a major theory work. The relationship between Hamlet and Gertrude (Hamlet’s mother) is a

Jacques Lacan are most commonly referred to in these texts. Hamlet is an identity that was shaped by Shakespeare himself in order to cope with the mental pain of losing his son, rather the play shows an opposing view and instead illustrates a son mourning over the death of his father. Shakespeare chose to highlight circumstances before the death of Hamlet’s father then continues to shape the story by dwelling on the emotional pain and leading Hamlet on a downward-spiral from that moment forward. From a

Perspectives of Hamlet                    The term consciousness refers to "one’s awareness of internal and external stimuli. The unconscious contains thoughts, memories, and desires that are well below the surface of awareness but that nonetheless exert great influence on behavior."(Weiten) The core of the Freudian perspective is centered around Hamlet’s relationship with his mother, and the relationship of Hamlet and King Claudius. According to the Freudian view, Hamlet is driven by unconscious

Hamlet is definitely one of the most dynamic characters in all of the literary world. He goes through numerous emotional changes, leading up to his eventual maturity of action. This article, in particular, revolves around the idea of Hamlet's constant contemplation, resulting in fewer actions. I agree very much so with his outlook, but I feel as if the play had more age roles involved than Critchley and Webster noted. However, one point in this thought-out article is that Hamlet's scene with Gertrude

“To, be or not to be,” is one of William Shakespeare’s most notable inquiries regarding interiority in the tragedy Hamlet (3.1.55). By orchestrating chaos, Shakespeare creates an environment in which the male characters; Hamlet and Claudius, are free to contemplate and express their respective natures. However, when it comes to Gertrude; Hamlet’s mother and initial instigator of Hamlet’s conflict, there is no interior examination. There is only vilification at the recognition of Gertrude’s sexuality

Psychoanalysis: Tragic Alternatives: Eros and Superego Revenge in Hamlet, the author, Joanna Montgomery Byles, focuses on the psychological origins of revenge in Hamlet. Also the concept of the superego, both individual and cultural are brought up; and the importance of understanding the dynamics of aggressive destruction in Shakespeare’s tragedies involving revenge. The Freudian superego is usually thought of as heir to the Oedipus complex. In Hamlet himself, hate and destructiveness are consuming passions;

William Shakespeare’s Hamlet is one of the world’s most renowned plays, one which has stood the test of time over the course of 400 years, finding relevance even today. A complex and sophisticated work, Hamlet is a masterful weaving of the myriad of components that make up the human experience; it delicately touches upon such topics as death, romance, vengeance, and mania, among several others. Being so intricate and involuted, Hamlet has been interpreted in countless fashions since its conception