One-act plays

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  • One Act Play Trifles

    1734 Words  | 7 Pages

    The one-act play “Trifles” by Susan Glaspell, weaves in and out of Aristotle’s theories of unity in time, place, and action, which define a good play. Her use of unity, as well as her stray from unity, delivers a plot and series of subplots that cover a variety of conflicts that intertwine to display stereotypical gender roles that depict women’s suffrage. The one-act play places the females as the protagonist as they define and defend their position in a man’s world while solving a murder mystery

  • My initial inspiration for this piece was Trifles, which funnily enough only shares the

    500 Words  | 2 Pages

    the end of the play he walks off-stage never to return. Chris, I wrote with the intention of making him an arrogant jerk, or someone that you would hate to work with. James countered his personality to some extent, or would have if the victim had not been his friend. I made this a point so that James would be off his game, so to speak. This would justify in Chris’s mind why he would need to act on the chief’s wishes and kill James. In regards to the ending, I chose to end the play on an ill-fitting

  • Losing Sight Analysis

    1305 Words  | 6 Pages

    you’re really involved in the play, you don’t think about it – you’re in it.” This quote from William Kraft is especially true for the One Act plays I attended. The smaller theater space and closer proximity to the stage allowed you to more involved in the play than if you were seated farther away. In the following response, a synopsis and critique of three of the plays I saw will be given. The first act of the night was a play titled “Losing Sight.” To summarize this play, there was a talented painter

  • Examples Of Violence In Trifles

    1162 Words  | 5 Pages

    the main characters of each one. In 1916, Susan Glaspell

  • Analysis of Susan Glaspell’s “Trifles” Essay

    1101 Words  | 5 Pages

    The single act play “Trifles” is loosely based on the murder of a farmer in the state of Iowa in the early nineteenth century, which Glaspell reported on while working as a journalist. The farmer’s wife was accused of the murder, and was initially convicted, but later acquitted. Literary analysts note that Glaspell “approached the case like a detective” (Bryan and Wolf). More than a decade after that incident, when she was a career writer, analysts describe, “in a span of ten days, Glaspell composed

  • Susan Glaspell 's A Worker For The Des Moines Dailey News

    1261 Words  | 6 Pages

    would use this case to inspire her one act play Trifles. Names and certain details were changed to fit a more dramatic retelling of the story, but as a whole the story still heavily reflected the Hossack case. The play itself was so successful that Glaspell actually turned it into a short story only a year later and titled that “A Jury of Her Peers.” On the surface, this move seems almost inane, or at least meaningless. What 's the point of forcing a perfectly good play to adapt to a different medium

  • I'm Going by Tristan Bernard

    748 Words  | 3 Pages

    The one act play “I’m Going” by Tristan Bernard who was a “French playwright, novelist, journalist, and lawyer” (1995) , wrote of two characters Henri and his wife Jeanne who were caught in an interesting dilemma that most of us that are married have been in before. Marriage can at times come to a crossroads due to how love doesn’t mean that the involved have the exact same interests in life. Tristan Bernard builds a great comedic play for those of us who can put ourselves in Henri and Jeanne’s

  • Symbolism Of An Article On The Reader From A Piece Of Literature

    2057 Words  | 9 Pages

    Plays are written to be performed. If there is not enough money to fund the entire play, it will be problematic. When a playwright decides to make a shorter play, he or she must accommodate all elements of the play to work with that decision. Character development becomes more difficult to incorporate, exposition must be concise and explicit, and there must be a perfect balance between plot advancement and exposition. In the play Trifles, there is tension between

  • The Piano Lesson By August Wilson

    1295 Words  | 6 Pages

    Charles. Main character of the play is Berniece 's brash, impulsive, and fast-talking brother, the thirty-year-old Boy Willie introduces the central conflict of the play and berniece is the sister of boy Willie, “The Piano Lesson” is a brother and sister couple at war over the question of using the family legacy. Boy Willie Coming from Mississippi to he plans to sell the family piano and buy the land. Sister cares about the piano because that takes her family life. Piano plays big role in piano lesson

  • Critique Of A Farce Play

    1449 Words  | 6 Pages

    • This one act play is about a man Ivan Vassiliyitch Lomov (age 35), a hypochondriac who comes to propose the daughter of Stepan Stepanovitch Tschubukov, Natalia (age 25) . The two being neighbours, Ivan comes visits Natalia's house well dressed. Ivan then tells Stephan that he intends to marry his daughter. Stepans extreme happiness results in Natalia and Ivan having a private conversation. This conversation starts off with talking about agriculture and the weather. Eventually he attempts to hint