Opera

Richard Wagner and Opera One of the key figures in the history of opera, Wagner was largely responsible for altering its orientation in the nineteenth century. His program of artistic reform accelerated the trend towards organically conceived, through-composed structures, as well as influencing the development of the orchestra, of a new breed of singer, and of various aspects of theatrical practice. As the most influential composer during the second half of the nineteenth century,

story in a different way. As I mentioned before, I was very curious what effect was causing me to see the story of the Werther in the opera version. I thought that music and singing could be a good way to show this great love. So let's start from the beginning. Before the curtain unveiled, the orchestra played overtura. In the description of the performance on the opera website we read that „Jules Massenet found the musical and dramatic language to transform the German epistolary novel into one of the

The 2004 version of the Phantom of the Opera is actually in my top 5 favorite movies. I actually grew up watching it with my grandfather because he loved how beautiful the music was. It is filled with great mystery and concentrated scenes that I grew to love every time I watch. Although some people may say that the 1924 and 2004 versions of the Phantom of the Opera are the same I disagree because, one is an actual musical, the other lacks great detail, and the characters are portrayed differently

experienced by anyone who has surrendered to Wagner. In contrast to Gesamtkunstwerk is Baroque Opera music the key function of Baroque opera is moody. Music in which a solo vocalist songs the melody of the song while other instruments provide accompaniment. Mood was a distinctively important element to Baroque music, distinguished from the polyphony- based vocal music of the Renaissance period. Baroque opera com posers were more precise and specific in their compositions than previous creators of Vocal

On October 24th, 2017, I attended the dress rehearsal for La Traviata at The Winspear Opera House at the AT&T Performing Arts Center in Dallas, TX. The dress code was both formal and semi-formal; some people wore very elegant dresses while others wore slacks and a nice formal shirt. As I was standing outside the venue making my way inside I noticed that most the people attending were either high school or college students. The amount of people in attendance cannot be exactly calculated but if I would

An Opera Performance On Friday November 3rd I had the pleasure of attending an evening of Opera titled Love Through the Ages with Maria Fortuna and Nancy Townsend at the Sean O’Sullivan Theatre. Having never been to an Opera performance I had no idea of what to expect and was looking forward to this new experience. Fortuna was accompanied by multi-faceted pianist Nancy Townsend. These two musicians showed tremendous expertise and were able to keep my attention through the extent of the program

The Phantom of the Opera Review This story was originally written as a graphic novel in 1910. In 1925 it was turned into a film. The musical with music written by Andrew Lloyd Webber and lyrics written by Charles Hart and Richard Stilgoe. The first performance was October 9, 1986, in Her Majesty’s Theatre, London. The musical started on Broadway in 1988. In 2012 it was the first musical in history to surpass 10,000 performances. The 25th anniversary was celebrated in 2013 during 10,400 performances

Phantom of the Opera is the longest running musical to date and has become one of the most beloved and well known musicals on Broadway. The musical was inspired and loosely based on the characters and the story of the book Phantom of the Opera by Gaston Leroux. This CD is the original London cast which means that this recording is with the first cast that ever preformed the musical with the actors that created the parts. The musical was written and composed by Andrew Lloyd Webber who is one of the

In Mary Hunter’s book, the second looks particularly at the arias of opera buffas. She clarifies why exactly, “The is that the aria is by far the most common closed musical number in opera buffa, and any consideration of how the genre presents its meanings has to take the aria – the basis of the dramaturgy – into account.” The arias illustrated the true meaning of the characters and their character type. The arias are also used to examine how the characters behave in a social narrative, meaning how

Opera, as with any theatrical production is often indicative of some societal norm or expectation. However, Opera Buffa, as with any satire generally reaches into the outcasts of society to find humor in the contrasts with the “norms”. Interestingly, these comedic teachings often turn into the norms of tomorrow. These can go from political beliefs, drugs, clothing, hairstyles, relationships, anything that is different than expected. To help better explain this let us look at a modern example. I Love