Oranges Are Not The Only Fruit Essay

Jeanette Winterson’s novel Oranges Are Not the Only Fruit when published in 1985 as her first novel, it was unanimously regarded as “a realistic and heavily autobiographical comedy of ‘coming out’” (Onega) in which the narrative structure employs elements derived from the Bildungsroman tradition -expression of the heroine’s quest for individuation, as much as a feminist gesture of self-assertion, deployed in a hostile Pentecostal Evangelist environment. The story of young Jeanette, the character

deliberately or upon knowing that it will. The book “Oranges are not the only fruit written by a British writer, Jeanette Winterson. Jeanette was born in 1959, and 5 month after her birth, she became an adopted child of Winterson family. As she became six, she became Christian, and when she is sixteen, she realized that she is a lesbian, and left her house. After graduating the university of Oxford, in 2006, she wrote “Orenges are not the only fruit” based on her life. The novel follows the story

It goes without saying that since Jeanette Winterson’s novel Oranges Are Not the Only Fruit (1985) many things have changed in the acceptance and tolerance of LGBTQ people. With this, contemporary literature seems to slowly catch up and represent these fictional couples in a more modern way. An author that has taken this growing tolerance towards queer people in account, is Irish-Canadian novelist Emma Donoghue. Donoghue, born in 1969 in Dublin, Ireland, knew she wanted to be a writer when she was

direct. The apple or the “forbidden fruit” in the Bible represents the fall of man and it represents sin and eternal suffering for mankind. If an idea or a defining moment in time could be characterized into a singular object, that object would be a symbol. In Oranges are not the Only Fruit, Oranges symbolize the dominant ideology in Jeanette’s world through both the teachings of her mother and the church. Oranges also represent comfort and conformity. The orange demon she sees throughout the novel

Throughout Jeanette Winterson’s ‘Oranges Are Not the Only Fruit’ and Christina Rossetti’s ‘Selected Poems’, fruit is often used as a symbol to explore deeper meanings within the texts, such as sexuality, sin and temptation in the form of homosexuality and Adam and Eve in the Garden of Eden, the psyche and differing beliefs of religious followers and atheists. This exploration is further illuminated by Williams’ ‘A Streetcar Named Desire’ and provides some insightful views and contradictions. *finish

Winterson’s Oranges Are Not the Only Fruit examines Jeanette’s struggle to come to terms with her sexuality and the religious community. Jeanette had developed a close bond with the church early in her life, and struggled to hold onto it amid her persecution and alienation before being essentially excommunicated from the church. Fruits and vegetables show up multiple times during Jeanette’s struggle to balance her religious identity with her secular experiences outside of the church. Towards the

Some authors take their own life experiences and plant them in their writing, like Jeanette Winterson in her novel Oranges Are Not The Only Fruit. These experiences act as a knowledge base that can be built upon as the author sees fit. When first-hand knowledge is available, it makes a story more concrete and authentic. This being said, some things that happen in personal lives are either too intimate to be shared with the public via books or are too difficult to express in words – this leads to

Jeanette Winterson uses hard work and the editing process to make her book, Oranges Are Not The Only Fruit, the success that it is. Thus, that it is the aforementioned aspects of the writing process that are the most integral, overshadowing even the inspiration process. A book written primarily using inspiration would be a failure if there was not hard work involved. The story is inspired by Winterson’s experiences in life. If she wrote down solely her thoughts and feelings about what happened in

Colour Purple’) and Winterson (‘Oranges are Not the Only Fruit’) present strong female protagonists who face various gender restrictions throughout the novels. For example both characters have their choice of partner controlled. In ‘The Colour Purple’ Walker constrains her protagonist (Celie) by entering her into an arranged marriage, in which she has little say as “I can’t let you have Nettie... But I can let you have Celie”. Similarly, in ‘Oranges are Not the Only Fruit’ Winterson limits her protagonists

Oranges are Not the Only Fruits by Jeanette Winterson seems like an experimental novel which Winterson provides an ‘autobiographical account of the struggle for self-identification and self-recovery’ ( Botescu Sireteanu 2007:78). In this essay working class identity and religiosity will be explored. Can we identify a person by their working class or their religion? Throughout the novel class, identity and religiosity has been explored in a variety of ways. Oranges Are Not the Only Fruit combines