Painting

http://www.visual-arts-cork.com/famous-paintings/betrayal-of-christ.htm 2. Within the work of art, there are 20 people visible with a crowd in the background. At the center of the painting are Judas is a yellow robe embracing Jesus Christ who has a halo on his head. Behind Jesus is one of his disciples, Peter, who also has a halo on his head, attacking a man named Malthus. In the foreground, there is a priest who is just a short distance away from Judas

Turner was without a doubt a fascinating, independent, and highly innovative artist during the 19th century. He began as a pupil at the Royal Academy Schools when he was a young teenager and he began to excel in all areas of his studies from oil painting, watercolors, drawing, to engraving. He acquired a passion for showing his observers real images and recording precisely what he say with slight coloring by his own personal vision. Turner had a love for traveling and exploring areas that his peers

Da Vinci. While Da Vinci was a sort of jack of all trades, what he’s most famous for is the painting of the Mona Lisa and The Last Supper. Every age in art had different styles dealing with light and shadow and perspective. Leonardo was a part of the Renaissance era, when the arts were being reborn. Leonardo was very meticulous with his artwork. He didn’t just pick up the brush and start painting. He studied the art of lines and how different lines would look. He also studied different

Cézanne painted a series of paintings at the end of his career. The Large Bathers (1906) was called this because it was Cézanne's largest painting in his series, and was the last to be made. When making The Large Bathers, Cézanne was trying to make a piece that would be lasting. He did not follow popular painting trends and techniques and felt no pressure to follow nineteenth-century methods. Some people have described the women in the painting “goddesses in the middle of nature”. The trees are playing

watercolor painting by José Tapiró y Baró. It showcases a profile of a dark-skinned man in a headdress made of fabric and clams. The detail in the face and the shading really bring the painting to life. José Tapiró y Baró was deeply interested in other cultures and spent a few years in North Africa painting and exploring his surroundings, before officially settling down in Tangier. The beauty he found in Tangier and Morocco is clearly seen in this painting and in all of his other beautiful paintings too

Paintings of Vermeer: Wealth and Culture Diversity in the categories in 17th-century painting in Dutch did relate to the aspect of producing wares for consumption by individuals of different economic and cultural backgrounds rather than focusing on the wealthy and powerful entities. These diversities did ensure receptiveness to the pictures of different subject matter, as well as styles. One of the most notable painters in this generation is Vermeer. Vermeer was able to assimilate fundamental

contemporary art the theme of sex and sensation is abundant. This oil painting by Andy Denzler is an excellent representation of how sex, sensual experience, and sensation are represented and depicted in contemporary visual culture. The artist use of an individual subject, the female body, and a sundry of multisensory aspects gives a simplistic take on sensual beauty and sensation. Andy Denzler tends to use women as his subject in his oil paintings and in this work, like many others, the women are shown in

is called the Waiting. The painting can be seen as a very dark piece of art that gives a whole new view on what can be described as a swamp. The mood all of the dark colors give the painting is depressing while the white of the cranes and the light blue boat give off a feeling of peace, those of which contradict the emotions given off by the dark colors. The cranes appear to be very detailed along with the boat being detailed as well. The emotions given off by the painting make the viewer feel as if

view her. This type of painting was extremely rare, if not unheard of during a time when female artists were seen as inferior. The Baroque style of painting exhibits bold colors and dramatic lighting with loose brush strokes. Leyster painted herself looking straight, a slight smile, and comfortable posture; showing a sense of confidence and engagement she desires to capture as though she were looking at the viewer directly. Leyster also had a smooth finish to her painting making it look more like

which was published in 1987, focuses on Chinese paintings as sources for Siyah Qalam's paintings and finds connections between these paintings and authentic paintings by specific Chinese painters of the Yuan era. This author identifies four subjects in Siyah Qalam's paintings in common with the purposeful works of two Chinese painters: she writes, "in searching for a cultural milieu that might explain the often bizarre imagery of the Istanbul album paintings, one is, however, tempted to see in them something