Parsons The New School for Design

Let’s be honest, nobody likes to talk about depression but it’s still a problem no matter the age. When it comes to kids the factors causing it can be found in either their home environment or school. In this case you could say it’s both but one’s plays a much bigger role. Childhood wasn’t the best, neither were first memories. I’ve had conversations about this with my parents and siblings. “Oh my first memory would be when we went sledding at our old house in Maine,” said Brooke. Brooke’s not the

i knew this was the school for me. The school bell rang. Time to start a new chapter in my life, the one i

me to do a PG year. After visiting the school, I immediately started on my application and eventually realized that I was accepted. About a week before heading up to Peddie, I started researching the school. I found mostly positive things, but also some negatives. However, this is expected of any school. I read that it can be difficult to make friends and that it is also hard being independent without having parents always by your side. By prejudging the school before I actually got there, I created

I gravitated towards The New School Parsons because of their ability to see the future of art and design. Parsons’s initiative to teach students how to continually innovate themselves and adjust to the world’s constant evolution inspired me. I appreciate The New School’s want to teach as well as help students shift their mindsets, allowing them to be more open-minded within their education. As a student I consider myself to be a freethinker, believing in formulating my own opinions. Expressing my

surgeons or following the footsteps of Ban-ki Moon, I was lost. Much to the dismay of my parents, I only knew what I didn’t enjoy: science and math - quite unfitting for a true, Northern German. I had always been a free-spirit, lost in thoughts and new ideas, expressing my feelings in writing rather than in lengthy conversations and excelling in languages and human sciences. Yet, even by the time college was fast approaching, I was unsure about my future. When expressing my concern to my advisor and

distinguished professors.The advantage of Parsons professors being a distinguished artist who works in New York is that students are able to get real world education, as well as connections for their future. One of the reasons why I applied to Parsons is that the vast amount of professors and lecturers who are connected with the school give students an array of relationships within the New York artistic community. Also, since New York is the heart of art, Parsons has the best resources available. Although

for my father’s job. Tired and overwhelmed, my family then had to drive through New York City to get to our new house. That first experience of driving through a seemingly endless forest of buildings was unforgettable and influential. As a resident of New Jersey, only an hour away from Manhattan, I have returned to the city many times and, over the years, fell even more in love. Because Parsons is located in New York City, its fabulous museums and galleries would

the Founder of The Style Vibe, the premium source for eclectic new talent in art, sustainable design, and music. Shanon has wanted her own business since she was very young, as she got older she started doing everything she could to prep for it. Shanon took advanced placement courses in Psychology, English, and Marketing while in high school and by 17, began her now 8 years of experience in retail and management. After high school Shanon moved to Richmond to study Business Administration and was

grandparents on their ranch in Brownwood Texas. When he was eleven years old his family moved to Santa Fe, New Mexico. Ford graduated from Santa Fe Preparatory School in 1979 at 17 years old. He wasted no time and continued his education at New York University as an art history major

professions graphic design was once a male dominated field. A young artist took the world by storm while breaking many gender barriers. Cipe pineles was the first independent women designer, graphic designer and illustrator. Employers were interested in her portfolio, until learning it belonged to a woman. In 1932 Cipe assisted Condé Nast’s art director Mehemed Fehmy Agha.While working on magazines like Vanity Fair and Vogue ,Pineles learned about European modernism editorial design and art direction