Performers

Drag performers take on the look and mannerisms of their opposite gender as a way to entertain and inform their audiences of social issues that can be addressed with humor. Fortunately for the drag community, there has been a recent increase in the popularity of drag queens since the TV show, “RuPaul’s Drag Race” won an Emmy in 2015. However, the female equivalent, drag kings, are given little media attention, thus casting them into obscurity. I argue that the lack of positive media coverage of drag

improves or promotes changes in a persons ability and understanding. Coaches work with another person or a group of people and develops them as people using sport to progress them in their development. All coaches have certain responsibilities towards performers, their sport, their profession and themselves. Below I have identified what a coach may be required to fulfil. Coaches need to be confident in a wide range of skills in order to be a good coach. Three skills that are common to successful coaches

the subpar treatment of the performers, are concepts that stand out throughout the film. From the beginning of the film, the Peking opera is celebrated as a symbol of Chinese culture. Some characters outright claim that to be human, one must watch the opera. In most, if not all, opera performances in the movie, the audience is packed into the area to observe

1. Is the profitability or loss of the typical nursing facility in the hands of Medicare and Medicaid system administrators? No, there’s no profitability or loss of the typical nursing facility in the hands of medicare and medicaid system administrators because medicare helps with medical costs for some people with limited income and resources. Medicaid also offers benefits not normally covered by Medicare, like nursing home care and personal care services.Despite the common misconception that nursing

within their plays in a strong male-dominated society. When One Door Closes begins with two male performers coming forth to read out a blurb or summary of each female character before continuing into the visual story of that of the female character. From there they enter into the stories of the three separate women with each performance divided by the two

or the Bluegrass standard Roll in my Sweet Baby’s Arms. The instrumentation included fiddle, banjo, guitar, pedal steel guitar, upright bass, mandolin, and sometimes harmonica. There were averagely 6-7 performers in the band throughout the evening, including the vocalist/lead performer. Performers on these instruments

with a diverse range of performance styles, from pantomime and clowning to ballet and performance art” (Mansbridge, 98) to create nostalgic engagement with the past. Many neo burlesque performers consider their work an art form that encourages self-confidence and self–awareness, where as the traditional performers viewed their work as a way to make ends meet. Through the research conducted and my personal experience at The

any artist or performer steps onto a stage, their job is to captivate their audience and invite them into the artists’ world. By completing those tasks the artist has successfully achieved the support of him or herself as an individual. Freak shows capture their audiences’ attention by performing acts that make their audience question what the human body is able to withstand. “The Human Bulletin Board,” is an act a local freak show performer, Mr. Cringe is well

significance Bert Williams had on performances during his era. The goal of this paper is to show how incredible of a performer Bert Williams was and how his performances left such a lasting impact to this day. I argue that Bert Williams utilized performance techniques that were identifiable to typical Broadway audiences of the late 1800s to create opportunities for African-American performers to succeed in show business in the United States. He did this by being a black body using dominantly white performance

one hour and a total of five pieces were performed. The pieces they performed were called, Music of Pieces of Wood, Gainsborough, Seoul Spirit, Zones, and Little Rhumba. The group consisted of five performers, Chris Deviney, Don Liuzzi, Angela Nelson, Phillip O’Banion, and Victor Pablo. The performers used a variety of percussion instruments throughout the concert; however, some of the instruments that were used in most of the pieces were the timpani, marimbas, chimes, cymbals, and bass drums.