Performers

beautiful white performers, all glamorous and talented in their own right, but nevertheless, all the same. Due to the obvious racism of the time period, culture, and of Hollywood itself, African-American actors tended to take a backseat, no matter how talented they were. Furthermore, even when they did have their opportunity to perform, they were depicted in not-so-flattering ways, their direction paling in comparison to their white counterparts, even if their talents were similar. Performers such as Lena

their performance while using their body and everyday items to create a special type of rhythms and energizing beats. It’s a mix of dance, music, and theatrical performance combined to create one electrifying beat. I couldn’t find a scene where the performers weren’t enjoying their roles, as much as the audience was enjoying their performance. The nature of this performance is live entertainment. They complete their objectives by providing the audience a wonderful time and teaches all about collaboration

literary heritage of Greece and Rome. In the classical era, music has western staff notation being used by composers to indicate to the performer the pitches,melodies, basslines, chords, tempo, meter and rhythms for a piece of music. During the classical time, it was classified as upscale and high standards because only rich people were able to afford to see the performers. This was the first that public concerts were important to have so that the music was received. The listener’s role they play in the

introduced. Once the performers were introducing the instruments I was able to picture that this song would be very unique and something I had not heard before. Once the list of instruments was finished the song started with the tin cans. The tin cans were laid out in sets with three people playing them. The song starts with the same rhythm and tempo which is moderato. Then it changes to andante. Then one person would stop and the three players would alternate between plays. One performer covers his tin

There is a ton of different characteristics that make a performance great. One definitely been the experience. It is just a personal feeling one gets, when you are able to see a performance live and feel the human connection from both the performers and the audience. What makes a great performance is the way that the art is performed. There is a major difference between playing your music well and giving it everything you got. Being able to look into an artist’s eye and engage in their music, feeling

They practice continuously together to perform their acts to perfection. As in the case of Dan Miethke, who explains a day in the life of a Cirque du Soleil performer (a fire-breather.) On the day of a show, he has practice for an hour and a half with his colleagues, in which he arrives about 30 minutes early to warm up. During the practice he works on his show moves that he needs to perfect or works on newer

On November 7th, I put on the public performance of “Our Stage, Your Voice,” with the help of multiple students on campus. It was performed in the Rose Bell Garden and was from 2:30 PM to 5:30 PM. In that time span, the performers and I collected over five hundred notecards that were performed in front of the student population. The inspiration for this performance came from the class I took with Dr. Hatton in the Fall semester of 2014. Her generosity allowed me to put this performance last year

world. The differences exist in various elements such as venue-type and setting, performers, purpose, advertising mechanisms, and many other related elements. In eighteenth century America, planning a concert required many of the same elements as planning a concert in the twenty-first century. Regardless of the time period, planning a concert requires having a set date, a site for the artist(s) to perform, performers in place and available, music chosen in advance, and an audience (Crawford 55).

response systems to illustrate active choices of the audience. Visualised statistics to confront the audience and evoke a critical discussion about the choices made are considered. Gradually the fourth wall should be penetrated to a point, where the performer dissolves with the spectator and invert the view on the performance body and the social relation expected. As aerial apparatus, silk is used as analogy to the skin to which the human is attached to. The human performing body as performance vehicle

job. (Retaining Your Star Performers) Today employees are much different. They are not