Performing Arts Essay

Welcome to the Freak Show When you think of art, you’ll think of music, paintings and sculptures of art; but have you ever considered a freak show as an art form? Freak shows and human oddities have been present in society since the early 19th century. However, art itself has come naturally to humans beginning with the cavemen. Society should formally recognize freak shows as a legitimate form of art and expression. Art is the expression of human’s creative skill and imagination, typically produced

report of the arts and culture strategic review (ACSR) 2012, getai is categorized as an arts form. Through this essay, I will be exploring the arguments against the decision to include getai as an art form and weighing the pro and cons on whether getai should be considered as an art form and if it hold enough substantial values for it to be looked into and preserved by the government as an important musical genre. In this essay, I will be touching on the different definitions of art and if getai

During the 1990, American Art culture and literature became popular and dominated the nation feds fashion , defined popular culture in the 1990s this caused American entertainment to become popular these popular culture changes help evolution American. I'm writing about how literature was great in the 1990s art was something that dominated great in the 1990s culture was very Popular in the 1990s.The 1990s had good activities like ordinary people and everyday life. For example, built large installations

“I’ll Take You There” is an intergenerational, multi-site performance, honouring spaces throughout the city of Memphis, chosen by legendary Stax and Hi Records artists that were meaningful to them in their coming of age, told through the choreographic lens of school age jookin' artists from the New Ballet Ensemble. These young dancers will also work in collaboration with local urban planners, historians, folklorists, and police who will act as dramaturgs enabling the dancers to gain deeper context

Influence on Theater Artist and Practitioners. Whether Cage directly influenced artists, it is difficult to put into context. Hence, one can argue that Cage as stated in the introduction paragraph, made an impact on modern music through his incorporation of avant-garde instrumentation and the idea of ecological music was dictated by chance. However, Cage had examined the use of avant-garde music in experimental cinema. He used chance, avant-garde instrumentation, electro acoustics, ambient sound

In its current incarnation, the multidisciplinary art form of Experimental Music Theatre is relatively new in the art world. It encompasses a wide range of musical and theatrical forms and styles and is often presented in unconventional venues. Similar to Wagner’s notion of Gesamtkunstwerk, Experimental Music Theatre seeks to integrate all the arts to create one complete art form. For Wagner, this ideal materialized in his Operas, which he labelled music dramas. However, in contrast to Wagner’s dramas

Indeterminacy was a reaction to serialism, where every aspect of a piece of music was structured to avoid repetition. Paul Ziff, an artist and philosopher, wrote an article in 1997 titled, “Anything Viewed.” This article asserted that a work of art is something that is “fit to be an object of aesthetic attention” (Ziff, 1997). He classifies this fitness based on a person “p”, who performs a certain action “a” with a work, or entity “e” under the right conditions

put this performance on again for COMM 198. This paper is to explain how this performance came to pass to begin with, to evaluate how the performance went, and what I learned by doing this performance. This performance was inspired by another public art performance by Shana Lutker called “Hear it Here”. In this performance, there were two performers that had headsets which connected to two microphones. Then audience members would periodically go behind a curtain and say something into the microphone

performance. The difference between public and private showings is complex. However, it is generally accepted that charging someone to see or hear a performance constitutes a public showing; for instance, showing a dvd to your family is not a performance but charging others to see that same dvd can constitute a public performance §110-113. In regards to music compositions the copyright owner have the right to the first public performance, thereafter, anyone who pays the licensing fees can perform

transformation has may be clearly seen in the tradition of art, as medium, material and subject have refined, added, and evolved preexisting notions of art. Since performance art’s introduction as a legitimate method of artistic expression in the early 20th century, it has become a implicit in the world’s unbiased action of change, and therefore has evolved in the passing of time. As performance art was created in part to challenge orthodox norms within art and culture, as the world’s evolution lead to more