Persistence of vision

Persistence of Vision Persistence of Vision is when images are displayed at a vest fast speed and our brains cannot keep up with the images so they blend into one and become a moving image. An example of this would be having a ball that displays three different colours at a fast speed; they are changing so fast the ball appears to be purple. But when you swing the ball around the colours will start to show. Persistence of vision is pretty much our minds not being able to keep up with images and

The animated and non-animated versions of the movie How the Grinch Stole Christmas can be compared to view the similarities and differences of both films. The animated movie was produced in the 1960’s and is approximately thirty minutes long, while the non-animated movie was produced in the 2000’s and is around an hour and a half long. They both star the Grinch, an angry man that hates Christmas. Because of his hate for the holiday season, the Grinch plans to dress as Santa Claus and steal all of

Abstract: “Kirikou and the Sorceress” (1998) originally titled in French language “Kirikou et la Sorcière” is a movie. The film was made using traditional animation characteristic, which was drafted and conducted by Michel Ocelot. A movie that tells the story of a hero’s mission to find out why the Sorceress is so mean and evil and how to defeat her. This article is intended at analyzing this preferred animated movie through research and observation analysis. e.g. pointing out the style, narrative

Set in a 1940’s film studio, the film “Illusions” is dominated by white males dedicated to producing a misleading image of reality. Mignon Dupree, a bold assistant executive desirous of change in the industry, is deeply troubled by its artificial and racist nature. Throughout the film, the audience is exposed to many of the illusions created by techniques such as lighting, sound, camera angling, and visual layering. Thus, in large part, Dash’s film is a commentary on the film making process itself

We have grown up watching tons of animated movies finding them so entertaining. But we may have not realized that these movies have shaped us and helped us grow into who we are today. These movies have shaped us to help us face social issues, regular life problems, independence, having empathy and more. This is a process called animating revolt in which Judith Halberstam touches upon in her essay called “Animating Revolt and Revolting Animation”. She analyzes and finds this process in many Pixar

Georges Melies pioneering work with special effects from 1896-1903. Georges Melies was a French film maker. He made hundreds of films between the years of 1896 and 1912. During the duration of film making career he invented and developed a number of special effect techniques that greatly benefited the film industry. One of the special effect techniques developed by Georges Melies is called substitution splicing, It is the first special effect that Georges Melies took advantage of in his films

The world is in a state of emergency. Global warming and harmful actions by humans have caused the Earth to face substantial effects. Many Hollywood producers and directors are working together to use the movies as a stage to promote what is right. Disney and Pixar are known partners and have worked together once more to create the movie, WALL-E. WALL-E is a movie about a robot that is fighting to bring the humans back to Earth so they can re-civilize on the planet. WALL-E is a heartfelt movie for

This process of shooting was and editing for this type of documentary was a new experience for me. I am use to the feeling of being behind a camera for videos so it was nothing to shooting. The real changed was in the fact that I had no creative control over what my subject did, luckily the person I was filming was used to being in front of the camera and did not over play anything and was being himself. When I was filming there was never a long period of time where the camera was not recording since

Three-time-Oscar-winner Ang Lee opted to push beyond the standard cinematic frame rate of 24 fps (frames-per-second) for his latest film, and settled on the extravagant 120 fps instead. Lee warned the audience at the New York Film Festival to “have an open mind” when watching the movie (Murphy). But even with forewarning, there is an oddness present due to its high frame rate (HFR). The last time HFR was experimented in a mainstream film was in Peter Jackson’s The Hobbit trilogy with 48 fps. The

One of Pixar’s best films, WALL-E, captures the heart of all by crossing language barriers, shocking the audience with the future, and, finally, focusing on the adventure of a very cute robot. The robot’s name, as you have guessed, is WALL-E, which stands for Waste Allocation Load Lifter Earth-class. The movie is set 700 years into the future, when Earth is predicted to be a massive wasteland. There is no sign of life on Earth and poor WALL-E is left to pick up the pieces. Along with his comical