Pierre-Auguste Renoir Essay

One of the collections in the OKC Museum of Art is an exhibition of glass and drawings by Dale Chihuly. Currently the Oklahoma City Museum of Art is home to one of the largest collections of Chihuly glass in the world. Chihuly’s background includes a B.A. in interior design from the University of Washington, a M.S. in sculpture from the University of Wisconsin-Madison, a M.F.A. in sculpture from the Rhode Island School of Design, & honorary doctorates from the University of Puget Sound & the Rhode

Vincent van Gogh and Claude Monet are two highly influential contributors to the art world. Both are renowned artists whose creations are on display in several art museums throughout the world. They are two artistic geniuses who are more alike than they appear to be. While there are many similarities between the lives and art of these two prodigies there are numerous differences as well in their technique/style, subject matter, and personal lives. Technique and style are two things that an artist

IDENTIFY 18.9 SHIVA; HINDU GOD; COUNTRY OF INDIA Sexual ecstasy as a metaphor for divine love is found in the art of the Hindus. ARTS OF CHINA TERRA COTTA: A ceramic ware, usually reddish, fired in the low temperature ranges and somewhat porous and fragile; earthenware. 18.14 Excavated figures from the “terra-cotta army” guarding the tomb of the First Emperor of Qin. CHINA. COUNTRY IN WHICH THEY WERE FOUND? EXAMPLE OF CHINESE LANDSCAPE PAINTING The overarching principles of nature and mankind’s

periods have all had their go at trying to depict the perfect woman. Prior to the 20th century, curvy and voluptuous women were considered ideally beautiful. They used the term “rubenesque” to describe such women. Artists like Peter Paul Rubens, Pierre-Auguste Renoir, were famous for their illustrations of “rubenesque" women. Curviness was a desirable attribute for quite a while. The most iconic female figure of the early 60’s was Marilyn Monroe. The curvy blonde was the pinnacle of attractiveness back

The gallery that I chose to visit is called, Berry Wing of European Art, also called Kresge Foundation Gallery of the 16th and 17th Century European Art. I thought that these names for the gallery were very odd because many of the paintings in this gallery were either not from the 16th and 17th century, or weren’t from European art. A common theme that the whole gallery had was the color red. Because of this, the gallery has also been given the name Red: Endless Attraction, which I think fits the

Book Review: Happenings and Other Acts edited by Mariellen R. Sandford .In Happenings and Other Acts, Mariellen R. Sandford - associate director of The Drama Review (TRD) since 1985 - has collected important essays, interviews and performance texts that help explain the complicated and intriguing nature of Happenings and Live Performance. The book itself is described as a collection of “invaluable documents from a period that radically changed our perception of the function of the artist, the role

to hide the artist hands in their work. Color was restrained and were often toned down farther by using a gold varnish. The Academie held an annual art show called the Salon de Paris. In the early 1860’s four young painters--Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frederic Bazille-- met while studying under the academic artist, Charles Gleyre. They discovered that they shared an interest in painting landscapes and contemporary life rather than historical or mythological scenes. During

artists, Monet helped form the Société Anonyme des Artistes, Peintres, Sculpteurs, Graveurs, as an alternative to the Salon and exhibited their works together.” He and other artists created an art group to challenge the Salon. These artists were Pierre-Auguste Renoir, Camille Pissarro and Edouard Manet. The two hardships that Monet faced in his life was financial hardship associated with the birth of his first son and the death of his wife after she had been sick. “Throughout her life, Monet had painted

to create his own grim and slightly disturbed feel for his hell. The influence of Baudelaire is most clearly documented on Rodin’s Je Suis Belle named from the first line of Baudelaire’s poem La Beauté, “Je suis belle, ô mortels! comme un rêve de pierre,” (Baudelaire). The first stanza is engraved in the base of the sculpture, further driving the connection. (Figure 1). The figures that make up this piece, known as The Falling Man and The Crouching Women/Lust are found within the gates, and thus

Impressionism is considered to be the first distinctly modern movement within painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Its originators were artists who rejected the official, government-sanctioned exhibitions, or salons, and were consequently shunned by powerful academic art institutions. In turning away from the fine finish and detail to which most artists of their day aspired, the Impressionists aimed to capture the momentary