Poetic style

tragic hero-like qualities and actions of the main character, Willy Loman. Moreover, the nature of Willy's role illustrates Willy as a tragic hero in the form of what Aristotle described as a tragic hero in Poetics, regarding the traits a tragic hero conveys. Within the principles of Aristotle's Poetics, one can understand that every tragic hero was born as an individual of authority and contains a tragic flaw or in other words, “hamartia” that results in his death. However, Willy is not a man of noble

Of course, every story has a genre - fantasy, drama, nonfiction, historical - but casual readers rarely acknowledge the fine details of different works that help define them as part of a certain category. Some defining features are obvious, like spaceships in a science fiction novel or magic in a fantasy, but where is the line drawn when it comes to concepts, both big and small, that are simply hard to define or restrict. No matter how different they may seem, even two completely different genres

It is known that in literature, a tragedy is one of the most popular genres. It always combines some story which discusses human sufferings with a certain sense of audience fulfillment. The roots of the tragedy are related to ancient Greece. A Greek tragedy is a sad story, which represents a character with a tragic flaw leading to his downfall. In addition, in traditional tragedy, the main character falls from high authority and often it is predetermined by fate, while the audience experiences catharsis

Tragedy Throughout time there has been many movies depicting what some would call, tragedies: Titanic, The Fault In Our Stars, generally every film created based off any Nicholas Sparks novel, and every play created by Shakespeare. Even with these so-called tragedies, one specific film seems to come into mind automatically when reading the requirements given by Aristotle of what makes a tragedy a true tragedy. In Aristotle's own words, a tragedy is a mix of six things: plot, characters, diction

When deciding between whether the characters in the recent three plays we have read qualify as tragic heroes or not I had to take a step back and rediscover what the true definition of a tragic hero is. There are several different concepts and definitions that people believe make up a tragic hero, but the most formal and universal comes from Aristotle. He views a tragic hero as one who falls from grace into a state of extreme despair, due to an error in judgement and the heroes own actions. The playwrights

The Cherry Orchard: Critical Analysis The Cherry Orchard by Anton Chekhov is about a Russian family that is unable to prevent its beloved estate from being sold in an auction due to financial problems. The play has been dubbed a tragedy by many of its latter producers. However, Chekhov labeled his play a farce, or more of a comedy. Although this play has a very tragic backdrop of Russia’s casualty-ridden involvement in both World Wars and the Communist Revolution, the characters and

As the play’s titular character in Death of a Salesman, Willy Loman is viewed by many as the definitive modern tragic hero of modern literature. He is a man struggling to gain upward mobility in a society designed to keep him in the trenches. The classic idea of a tragic hero is an important person who falls from a lofty seat in life. Willy, however, is just a common man trying to get to a place he can fall from. According to Arthur Miller, a tragic hero need not be a king or anyone of high rank

what extent can Willy Loman be considered a tragic hero according to Aristotle’s rules? Arthur Miller presents his play ‘Death of a Salesman’ in the ancient form of a tragedy. Aristotle has defined his idea of the ‘perfect’ tragedy in his text, ‘Poetics’ (350 BC).Here he suggests that the protagonist must fall from an elevated social standing as a result of a “fatal flaw” within the character; the fall from the main character creates resolution to the play which is seen as just; finally, Aristotle

that are necessary to a tragedy? The play Antigone by Sophocles is considered a tragedy. There are five rules created by Aristotle that classify a tragedy. All plays must have catharsis, a tragic hero, a change in fortune within a character, must be poetic, and happen in one location, in one day, and it is all closely related. Two main characters are the king Creon and a girl named Antigone. Antigone is a tragedy because it exhibits and follows all five of Aristotle’s rules. The first rule of Greek

Character Analysis of Prince Hamlet in "Hamlet" by William Shakespeare and Oedipus in "Oedipus King" by Sophocles In Aristotle's literary discourse, "Poetics," he discusses his theory of tragedy, wherein he introduces the concepts of tragic flaw or "hamartia," which serves as the catalyst for the protagonist's downfall or the tragedy of the story to happen. He determines a tragedy as a "drama" that brings about a "sorrowful conclusion, arousing fear and pity in the audience" (Roberts and Jacobs