Point of view shot

involves hand-held shots and this can be evidently seen in the first few shots of the segment itself (shots 1-4). The use of hand-held camera gives a personal touch to the storyline and direction of the movie. It indicates the personal involvement of the camera and the director in the scene which in turn means an active involvement of the audience. Erguven has made sure that the audience are not just stand byers but are living in the world of the sisters. In the shot where the girls

The Silence of the lambs (1991) is in doubt a film which demonstrates a well-constructed horror film. The film, ranging with scenes, shots, and frames that were well constructed to be identified as horrific. The films cinematography shifts the films narrative and impacts the film, especially the film’s frames. It seems reasonable to suppose that from the film’s frames and of those of the characters expressions, they shape the film’s genre to be horrifying, psychological, and thrilling and they guide

line should be non existent. The movie helps communicate this by its use of various camera angles to give us a negative opinion on Mr Neville. In the scene where Mr Neville is first introduced to us there is a part when the camera is at a low angle shot with him holding the cards to say that the girls Molly, Gracie and Daisy can be removed. Inn the scene a bit of Dialogue is spoken by Mr Neville, he says “‘I’m authorizing the removal of Molly, Gracie and

framing a shot, establishing a scene, perspective and movement, dynamic composition, Breaking the rules, and technical considerations. In the framing a shot, There are five types shot as extreme long shots, long shots, full shots, medium shots, close-ups and extreme close-ups. These are used with different situation. Also I could know how to use a built-in grid view option. The object is changed where I put in the gird view option. In the establishing shot part, There are a long shot, a wide shot, a two-shot

The Marion’s medium shot, showing her sitting alone in a hotel room, overshadows a sombre mood in the place as if something will happen at any moment. The music, which began right after Marion and Norman’s conversation, adds a sense of obscurity. This sense of anxiety which spreads over the scene, however, seems to be relieved as the music is stopped when Marion flushed the toilet with her notes as an act of removing her crime’s traces. As the spectators acknowledge that she already repents of her

psychological development of a young woman as she navigates a life of crime and familial melodrama, ultimately unlocking the suppressed memories that offer answers to her childhood traumas. The director utilizes evocative mise-en-scene, subjective point-of-view shots, and expressive lighting schemes in order to project the title character’s internal state onto the physical world of the film. In doing so, Hitchcock crafts a diegetic universe that reflects the unique capabilities of film—one that, through

horror movie “ The Birds “, uses his camera shots metaphorically as a person rather than a weapon, in a way to add suspense, inner themes of the film, and to express the character’s emotions or intensity. Alfred Hitchcock is most known for being the “ master of suspense”, yet he uses his camera to demonstrate suspense and intensity. In the film “ The Birds”, Alfred constantly uses close up shots and looming or tracking shots. During the film, he has shots and scenes of tracking the lead woman role

the film. His inspiration for the film was influenced by the life story of Hip-Hop cultures very own rapper Eminem. The main goal was to depict a sense of reality while making the film very relatable. From the different factors within the diachronic shot such as focus, angles, sound, montage and the fascinating interpretations that

Roman Polanski to focus on private investigator J.J. Gittes, played by Jack Nicholson to investigate the elements behind the truth. Polanski’s goal is to emphasize the audience to give an ominous feeling of the main character, J.J. Gittes and his point of view by showing in color instead of black and white pictures. Due to these reasons, Polanski wanted to use Panavision to give a flawed vision about the past, which the story is set in the years of 1937. Polanski states, “a traditional detective story

forward and backward generates a move which makes an object of sight and desire to appear to be diminishing from view. On several instances, Madeline disappears from view as she goes to various places. When Madeline was going to Carlotta's grave, she disappears from sight into a flower shop. As she leaves the flower shop, she disappears and gets into the church; then she vanishes from view as she heads to the graveyard and eventually she disappears entirely into the McKittrick Hotel. The use of spiral