Postcolonial literature

this European imperial domination has spread its impacts on the contemporary literature as well and it is therefore a major concern for the world today. The literature of Canada, India, Pakistan, Bangladesh, Malaysia, New Zealand, Malta, Sri lanka, the South Pacific, the Caribbean and African countries, comes in the ambit of post-colonial literatures. One characteristic that can be found in common to all these literature despite of

researchers of eco-criticism have tended to concentrate on the relations amongst nature and culture, ignoring the parts of post imperialism that help shape the people's collaboration and interrelations with their common habitat. In this way, the eco-postcolonial focal point is expected to serve as a scaffold amongst eco-criticism and post-colonialism and utilized as another logical focal point for perusing Darwish's

Marxist critic Frederic Jameson once described every instance of “third world literature” as necessarily nationally allegorical (69), an assertion spectacularly assailed by Aijaz Ahmad (77-82). But it is possible to close our eyes to Ahmad’s very valid misgivings and take a bird’s eye view of Jameson’s assertion: read in reaction to the phenomenon of imperialism, perhaps the literature of dominated peoples is the literature of self-assertion, however blind to Jameson’s national allegorical (or anticolonial)

IDENTITY CRISIS IN SELECT NOVELS OF SALMAN RUSHDIE The question of identity is the most controversial issue in postcolonial time and literature and it can be regarded the most important because of its crisis exist in all postcolonial communities. Due to the circumstances of post colonial era and the problematic conditions that faced newly freed nations and countries in their search and formation of self identity the crisis floated on the surface. In the following of World War II, the act

The prominent characteristic of postcolonial writing is the incorporation of writing back or rewriting history into the narrative from the point of view of the colonized. Postcolonial narratives speak out and attempt to expose the injustices of dominant culture often within their own cultural system. Within this framework, many female authors give agency to the once silenced female voice of the colonized. By employing their own narratives, many postcolonial female authors demystify the prescribed

Heat and Dust, published in 1975 is a novel by Ruth Prawer Jhabvala which won the Booker Prize in 1975. The novel was made into a film in 1983 by Merchant Ivory Productions. The initial stages of the novel are told in the first person, from the narrative voice of a woman who travels to India, to find out more about her step-grandmother, Olivia. She has various letters written by Olivia, and through reading these, and learning from her own experiences in India, she uncovers the truth about Olivia

Writers and Intellectuals in Exile “It may be that writers in my position, exiles… are haunted by some sense of loss, some urge to reclaim, to look back, even at the risk of being mutated into pillars of salt”1 said Salman Rushdie. The loss and love of home is not what constitutes an exilic existence; what actually and in true sense constitutes it is the chasm between carrying forth and leaving behind and straddling the two different cultures from two different positions. In my paper, I propose

September 11, 2001. After terrorists hijacked four American airliners, toppling the World Trade Center in New York and damaging the Pentagon just outside Washington, rhetoric in various circles of the West among authors, theorists, and pundits centered around a number of interesting topics. The nature of evil has become a topic over which much debate and rhetoric has ensued. Some have used it as a means by which they can explain these actions, whereas others see it as an obstacle to a proper explanation

Khaled Hussein’s novel The Kite Runner is totally based on postcolonial theory. In the text, the resistance of the native afghans against the coloniser quite matches with the resistance of the native black people against the colonizers in the Chinua Achebe’s novel things fall apart. Here in the article I summed up and compared the resistance of the native against the colonizers and along with that I also compared the diasporic elements which exists in both texts. Apart from these two elements here

fine diaphanous model of restrained allusions, impulse and humour. The magic realism popularized by Salman Rushdie inclined a large number of Indian novels. According to Anita Desai, Rushdie showed English language novelists in India a way to be “postcolonial”. There is an entire cohort of novelists who experience the weight of Rushdie’s influence as enabling their own talents. Quite apart from his distinctive characters, he showed Indians how the English language could