Pre-Raphaelite Brotherhood

The Pre-Raphaelite Brotherhood was founded by John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt who were students at the Royal Academy. Millais, Rossetti, and Hunt were dissatisfied with the academy teaching students to mimic renaissance masters like Raphael, and sought to create art reminiscent of the medieval period. In addition for their distaste for renaissance perfection in art the Pre-Raphaelite Brotherhood were inspired by the theories of writer and art critic, John Ruskin

Revolutionary movements, such as the Chartist demonstration and the fall of the Second Empire in France, paved the way for new ideologies. The Pre-Raphaelites were inspired by the changing atmosphere of the times and through their art attempted to introduce emotion, realism and originality back into British painting. The members of the Pre-Raphaelite Brotherhood were John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, F.G. Stephens, Thomas Woolner, James Collinson, and William Michael

(Tate 1). At the Royal Academy, Millais befriended William Holman Hunt and Dante Gabriel. These three artists contributed to the Cyclographic Society and later, in 1848, founded the Pre-Raphaelite Brotherhood, which welcomed all forms of arts and literature (Tate 1). The forming of the Pre-Raphaelite Brotherhood was a reaction to what the three

Pre-Raphaelite artists are known for their paintings of overly romanticized women, many of which depict historically and mythologically powerful women. While these paintings are aesthetically pleasing, they are not simply meant to be admired for their beauty. They convey the opinions of the artist and reflect the perspective of the paintings’ original intended audience, which would have been predominantly male. The male perspective is most likely the reason that, despite the powerful reputation

In September 1848, a group of seven men banded together secretly to create the “Pre-Raphaelite Brotherhood,” or “P.R.B.” (Whiteley 6). This group included: Gabriel Charles Dante Rossetti (1828-1882), John Everett Millais (1829-1896), William Holman Hunt (1827-1910), Thomas Woolner (1825-1892), William Michael Rossetti (1829-1919), James Collinson (1825-1881), and Frederick George Stephens (1828-1907). Though this movement lasted only a few years, these men pulled the art establishment away from the

than other art types at the time. Another influential art style at the time, the Pre-Raphaelite style, focused more on being contemporary and rejecting the ideas of former prominent artists of their time. The Pre-Raphaelite Brotherhood, formed by William Hunt, was more about being your own artist, and not following the normal style of your counterparts. Victorian Art, along with the Pre-Raphaelite

Art nouveau is a elegant decorative art style characterized by ornate patterns of curvilinear lines. This period of art somewhat rooted from the a mixture of the Arts and Crafts movement, William Morris, Edward Burne-Jones from the Pre- Raphaelites and the Japanese style. It became popular across Europe and the in United States. Art Nouveau as a style is a beautiful mixture of elaborate Celtic looking patterns, classical elements, flat color and delicate women in nature. This style breaks the traditional

ways in can be inferred that these dark themes may have been influenced by the era in which they were living. Many historians have suggested that the second half of the nineteenth century was culturally, a rather strange period. The Pre-Raphaelite Brotherhood was started in 1848 by Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, as a reaction against what they saw as the stale, formula-driven art produced by the Royal

Pre-Raphaelite art was a movement was born of poetry, English Romanti cism texts inspired the young artists of the Brotherhood. The first of these texts The Eve of St Agnes, a poem by John Keats and key text from Romanticism that served as inspiration for John Everett Millais and William Holman Hunt and spawned the dawn of the Pre-Raphaelite Brotherhood. A romantic tale of elopement and awakening sexuality, young Porphyro hides in Madeline’s bed chamber, Even to Madeline's chamber, and there hide

aspects of the world, Rossetti also faced hardship and grievances with conflict in his life. Strong enough to push through it, he was a man of wonders that unfold as he grows. This essay will explore the life of dante Gabrielle Rossetti the British pre-Raphaelite poet from London. Looking over his works and accomplishments starting from poems all the way to his other works. Examine the impact of Dante Gabrielle Rossetti mark in history and why he is or isn’t important. Rossetti’s father Gabriele moved