Rape Of The Lock Mock-Epic Essay

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    Mock epic is a narrative poem which aims at mockery and laughter by using almost all the characteristic features of an epic but for a trivial subject. In the “The Rape of the Lock” there is an invocation to Muses, proposition of subject, battles, supernatural machinery, and journey on water, underworld journey, long speeches, feasts (coffee house), Homeric similes and grand style but all for a simple family dispute instead of a national struggle. The grand action of a low subject produces comical

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    Mock epic is a narrative poem which aims at mockery and laughter by using almost all the characteristic features of an epic but for a trivial subject. In the “The Rape of the Lock” there is an invocation to Muses, intention of subject, battles, supernatural machinery, and journey on water, underworld journey, long speeches, feasts (coffee house), Homeric similes and grand style but all for a simple family dispute instead of a national struggle. The grand action of a low subject produces comical laughter

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    Analyse Rape of the Lock as a Mock Epic Poem. In the 18th century, the theory of literature is supported by the poet practices of the classical writers of Greece and Rome. According to the Neoclassical, human nature has been best understood, analyzed and expressed by the classical writers. Therefore nothing created by the modern writers. Most neoclassical writers follow the masters of the craft but take care while modifying theories. Hence neoclassic writers fit the needs of age. The sense of society

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    Mock epic is a narrative poem which aims at mockery and laughter by using almost all the characteristic features of an epic but for a trivial subject. Alexander Pope’s “The Rape of the Lock” is a famous mock-epic. In it, there is invocation to Muses, proposition of subject, battles, supernatural machinery, journey on water, underworld journey, long speeches, feasts (coffee house), Homeric similes and grand style but all for a simple family dispute instead of a national struggle. The grand treatment

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    analyzed further, aspects of the mock epic are revealed. However this usage of the mock epic is less humorous in tone and more as a vehicle to warn readers of the tragedy that befalls them when they mindlessly pursuit certain desires. Therefore, in Thomas Gray's Ode on the Death of a Favorite Cat, Gray uses the style of mock epic along with a non-human character in order to depict how

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    audience know his goals and how important his writing is through epic metaphors and masterful language. In Paradise Lost, he tells his audience that this will the epic to end all epics and that this is the most important tale of all mankind: the fall of Man. Comparatively, Alexander Pope used the same style of epic not to tell an important tale, but to question much of the life of aristocracy in his time. In his mock epic, Rape of the Lock, Pope alludes to Paradise Lost in order to point out the trivialities

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    Although Alexander Pope's, The Rape of the Lock, and Jonathan Swift's A Modest Proposal are both witty satires, they differ on their style, intention, and mood. To begin, in The Rape of the Lock, Alexander Pope uses satire to invoke a capricious, melancholy mood to illustrate the absurdity of fighting over the cutting of one's hair. Hidden inside this poem is a crafty criticism of the society that helps create the crisis over the stolen lock. A Society in which appearances ere more important to

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    A mock epic is an extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero. In Alexander Pope’s, The Rape of Lock, his satire is considered to be a mock epic not only because it is a long narrative poem, but consists with a series of events and revolves around beauty over brains. This mock epic satirizes not only sylphs, but also satirizes a woman’s ability to think logically than emotionally. The Rape of Lock is considered to be a mock

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    Rape of the Lock by Alexander Pope Alexander Pope's The Rape of the Lock is not studied and admired only because of its style and form, but also for its base content and underlying themes. Pope's ability to manipulate text into mock-heroic form, constructing a flow of satirical description is what makes this poem one of such quality. The piece was first published in 1712 by the request of Pope's friend, John Caryll. It was to make peace between the Fermors and Petres, two prominent Roman

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    like an epic. Epics are long poems, typically told orally in ancient times, about the adventures of a hero or heroine and their deeds. The Iliad should immediately come to the mind of any student proficient in western literature. Nonetheless, the themes and archetypes of these works known as epics are so well-known, that they are even parodied, take completely out of context, and pasted on the wall for laughs. One of the most recognized parodies of this kind would be Alexander Pope’s The Rape of the

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