Rear Window

Within the action and suspense of Rear Window, directed by Alfred Hitchcock, the theme of feminism is uncovered. Throughout Rear Window, Lisa Fremont, the female protagonist, is a symbol of feminism due to her character transformation. In the beginning of Rear Window, Lisa Fremont is introduced during a conversation between L.B. “Jeff” Jefferies and his nurse Stella. Throughout this conversation, Jefferies describes his girlfriend Lisa as being “too perfect, she’s too talented, she’s too beautiful

The film Rear Window, released in 1954, and directed by Alfred Hitchcock, portrays the shift of power in the relationship between the central characters of Lisa Freemont and L.B. "Jeff" Jeffries throughout the film. As the characters are introduced in the beginning of the film, Jeffries is shown to have control of the relationship between himself and Miss Freemont, the power later shifts to Lisa as the film progresses and she takes an interest in the suspected murder. However, the film ends with

Rear Window is a 1954 film that explores the theme of voyeurism. In this film, the main character Jeff who is a photographer gets enamored with observing his neighbors while sitting on his chair with his legs cast. He develops a keen interest in observing his neighbors that he watches them day and night preferring to sleep on his chair than on his bed. One of the interesting and thought provoking aspect about the movie is the element of distance and closeness between him and his neighbors. His

Rear Window (1954) directed by Alfred Hitchcock depicts a house-ridden photographer believing that he has seen a murder occur in the apartment across the courtyard of his apartment complex. Throughout the film, there is the constant use of the motif of voyeurism. The motif is used straight from the start, often dragging the audience into looking into the lives of others just like the main character, L. B. Jefferies, is doing. Rear Window asserts that people should not keep to themselves, but instead

Summary: Rear Window by Alfred Hitchcock starts out with the introduction of everyone who lives in an apartment complex in New York. Looking out of the main character Jeff’s window we see a newly married couple, a ballerina, a musician, a salesman with a bedridden wife, and a woman they call Ms. Lonely Hearts, pretending to be on a date. As Jeff battles with relationship problems with his girlfriend Lisa and being confined to a wheelchair he begins to observe out his window and watch the people

Alfred Hitchcock once defined his film Rear Window (Hitchcock, 1954), as the story of a man who cannot move and looks through a window, about what he sees and how he reacts to it (Truffaut, 1986). In addition, Hitchcock constructs the character of the protagonist of the film, Jeff (James Steward), not only by using cinematographic devices to show how Jeff interprets what he sees and his own life, but also stabilising a dichotomy between what he looks at and what he lives. At the beginning of the

Rear Window Reflection I found viewing this video quite interesting. My mother is a huge fan of all Alfred Hitchcock films. So I grew up watching all of his films. One of the many questions that kept occurring to me during the film was: Where was Mrs. Thorwald’s wife? Did he really kill her and why? At the end of the film when Mr. Thorwald confessed, I was still left with why and how. This film left me with many unanswered questions. I found all of the windows very interesting. The two

I chose to critique a movie called Rear Window, a realist film by Alfred Hitchcock produced in 1954. Starring James Stewart, Grace Kelly and, Wendell Corey. The genre is thriller and the sub genre suspense infused with mystery. Therefore, Rear Window one of Alfred Hitchcock’s highly inspired audience participation films. When a person watches it, he feels, tantalized, shocked, and exhilarated. Further in this essay, I will summarize the plots, discuss the styles used, and deconstruct parts of the

Rear Window directed by Alfred Hitchcock is revered as one of the greatest movies in American Cinema; every shot and plot point in the story considered a work of art from the creative mind of the ambitious director. Due to this, it has been referenced many times in pop culture, TV shows, amongst other forms of media. One of these TV shows is the long-running titan of cartoons, The Simpsons. The episode “Bart of Darkness” is a parody of the whole movie, using the camera angles and plot points from

Relationships in Hitchcock’s “Rear Window” I believe that Hitchcock’s film “Rear Window” is mostly about relationships rather than voyeurism. The entire movie is made up of the personalities and traits that Jefferies has assigned each tenant that he watches. With each new deed he sees them perform, and every assumption that goes along with it, he builds his relationship with the other character. I do think that some of the relationships in “Rear Window” emerge through voyeurism. For example, at