Richard Alpert

Entry 3 3069, I wish I knew your name. Then, I could call you by it. Maybe you'd wake up if I called your name. Maybe it'd help you remember. A teacher once told me, "there's nothing quite so musical to one's ear as their own being called to them". Sounded corny at the time, but--now--I sometimes whisper my own name in the dark. I'll play this game where I disguise my voice and pretend that it's someone else. Sometimes, I see Pluto in here. My dog. I guess it's a hallucination of some sort--or

Richard III: Transformative task Note for parents For the parent/s of the child who now owns Richard III: a children’s novel. I decided to convert Shakespeare’s Richard III into a children’s book due to how much Shakespeare’s Richard intrigues me and the moral lessons that I believe a child can learn from his story. In Shakespeare’s play, Richard is portrayed as a Machiavel, he is unapologetically manipulative yet a smooth-talker with a sense of humour. This combination of characteristics, along

Louise Mallard has been at all unfaithful to her husband. One sentence within the article suggests that some readers have sensed an extramarital affair—or an attempted one—between Mrs. Mallard and Richards, which, given its inclusion, the authors appear to agree with (Chongyue and Lihua). However, Richards is mentioned by name in the text of the short story three times: at the beginning when he confirmed the news of Brently Mallard’s death, toward the end when he awaited Josephine and Louise at the

The beach 1.     people - Richard: a british traveller, who comes to Bangkok and gets a map to a secret hidden beach. He has seen every movie about Vietnam, and he sometimes believes being there. He also is addicted to video games. - Daffy Duck: the man who gives Rich the map; he had been on the beach before and had left it for some reason. After his death, he often appears in Richs daydreams. He always speaks about Vietnam, and he knows everything before it happens. - Etienne

Detective Wilde, am being assigned the opportunity of a lifetime! Solving the murder of Richard Webster is what's going to determine whether I receive a spotlight in the newspaper. Business has been slow lately so this will help pick it up. Ahead of the interrogation, I gathered data on the victim and each of the suspects. Some background research shows that the Webster Network of co-workers are troubled: Richard, a class A jerk, Hugh, a broken businessman, Rita, in a troublesome relationship, H.T

ART CRITICISM PAPER “The Grafin von Schonfeld with her Daughter” by Elizabeth Louise Vigee-LeBrun       In the University Of Arizona Museum Of Art, the Pfeiffer Gallery is displaying many art pieces of oil on canvas paintings. These paintings are mostly portraits of people, both famous and not. They are painted by a variety of artists of European decent and American decent between the mid 1700’s and the early 1900’s. The painting by Elizabeth Louise Vigee-Lebrun caught my

emotional masks people use, Edwin Arlington Robinson uses his “Richard Cory” to draw attention to a mask of money and success, which makes the average people (“we people”) admire and idealize the successful person (Richard Cory) only because we do not know and do not even try to see what is hidden behind the mask. In just 4 stanzas and 16 lines, Edwin Arlington Robinson tells a meaningful and timeless story about misfortune of Richard Cory, a person behind the mask of money and success who seemingly

end up. While some may say the characters were affected more by chance, the characters in The Necklace, and The Rights to the Streets of Memphis were ultimately affected by their actions because when Richard chose to man up and stand up for himself in front of the boys he got his money back, Richard decided he did not want to stay out in the streets until he fought those boys just like Madame Loisel decided she did not want to live a poor lifestyle for any longer , and Madame Loisel's greed and desire

Richard Cory, the name used for the title of two thought provoking works, was a man whose luxurious persona led the world from feelings of admiration to wide-ranging envy. In both poems by Edwin Arlington Robinson and Paul Simon, similar tones established esteem and praise towards their subject. However, throughout these verses, both speakers also appeared to shift their acknowledgments into a place of spite and jealously. As the reader began to unfold the nature of the literary works, tones from

The Grass is Always Greener on the Other Side: Diction, Symbolism and Imagery in Robinson’s “Richard Cory” Oftentimes in poetry, something that appears simple is, in fact, very complex upon deeper evaluation. Edwin Arlington Robinson does exactly this in his poem, “Richard Cory,” by creating an accessible poem that can then be picked apart to reveal a deeper meaning. Upon first glance, the poem appears to be an interesting narrative about the idolization of a rich aristocrat from the perspective