Richard Wrangham

America is a special case of male violence dictated by circumstance and society. In no other country is individualism as fetishized and reified into the national identity. The subtext of the American Dream is a story of one person pulling themselves up by their bootstraps. The measure of one’s success is calculated by the difference between the start and end points. Ultimately, the necessity of individual accomplishment undercuts cooperation and nonviolent success. Today more than ever we have the

Our modern diet may be making us sick. Richard Wrangham, a Harvard primatologist, argues that the biggest revolution in the human diet came not when we started to eat meat but when we learned to cook. “Our human ancestors who began cooking sometime between 1.8 million and 400,000 years ago probably had more children who thrived,” Wrangham says, “Cooking produces soft, energy-rich foods…. Today we can’t survive on raw, unprocessed food alone, we have evolved to depend upon cooked food.” Not only did

fundamental component, the act of cooking. Not only is this act executed in most human individuals’ everyday lifestyle, but has also increased their fitness in the course of time. In Catching Fire: How Cooking Made Us Humans by Richard Wrangham, Wrangham similar idea convinces me. Wrangham declares that it was fire and cooking that led to new crucial physical traits developed in humans. Whether fire was created as a

Richard III: Transformative task Note for parents For the parent/s of the child who now owns Richard III: a children’s novel. I decided to convert Shakespeare’s Richard III into a children’s book due to how much Shakespeare’s Richard intrigues me and the moral lessons that I believe a child can learn from his story. In Shakespeare’s play, Richard is portrayed as a Machiavel, he is unapologetically manipulative yet a smooth-talker with a sense of humour. This combination of characteristics, along

Louise Mallard has been at all unfaithful to her husband. One sentence within the article suggests that some readers have sensed an extramarital affair—or an attempted one—between Mrs. Mallard and Richards, which, given its inclusion, the authors appear to agree with (Chongyue and Lihua). However, Richards is mentioned by name in the text of the short story three times: at the beginning when he confirmed the news of Brently Mallard’s death, toward the end when he awaited Josephine and Louise at the

The beach 1.     people - Richard: a british traveller, who comes to Bangkok and gets a map to a secret hidden beach. He has seen every movie about Vietnam, and he sometimes believes being there. He also is addicted to video games. - Daffy Duck: the man who gives Rich the map; he had been on the beach before and had left it for some reason. After his death, he often appears in Richs daydreams. He always speaks about Vietnam, and he knows everything before it happens. - Etienne

ART CRITICISM PAPER “The Grafin von Schonfeld with her Daughter” by Elizabeth Louise Vigee-LeBrun       In the University Of Arizona Museum Of Art, the Pfeiffer Gallery is displaying many art pieces of oil on canvas paintings. These paintings are mostly portraits of people, both famous and not. They are painted by a variety of artists of European decent and American decent between the mid 1700’s and the early 1900’s. The painting by Elizabeth Louise Vigee-Lebrun caught my

Detective Wilde, am being assigned the opportunity of a lifetime! Solving the murder of Richard Webster is what's going to determine whether I receive a spotlight in the newspaper. Business has been slow lately so this will help pick it up. Ahead of the interrogation, I gathered data on the victim and each of the suspects. Some background research shows that the Webster Network of co-workers are troubled: Richard, a class A jerk, Hugh, a broken businessman, Rita, in a troublesome relationship, H.T

The Grass is Always Greener on the Other Side: Diction, Symbolism and Imagery in Robinson’s “Richard Cory” Oftentimes in poetry, something that appears simple is, in fact, very complex upon deeper evaluation. Edwin Arlington Robinson does exactly this in his poem, “Richard Cory,” by creating an accessible poem that can then be picked apart to reveal a deeper meaning. Upon first glance, the poem appears to be an interesting narrative about the idolization of a rich aristocrat from the perspective

emotional masks people use, Edwin Arlington Robinson uses his “Richard Cory” to draw attention to a mask of money and success, which makes the average people (“we people”) admire and idealize the successful person (Richard Cory) only because we do not know and do not even try to see what is hidden behind the mask. In just 4 stanzas and 16 lines, Edwin Arlington Robinson tells a meaningful and timeless story about misfortune of Richard Cory, a person behind the mask of money and success who seemingly