Richardsonian Romanesque

The most important difference found between French and English Gothic cathedrals is their differing and almost oppositional emphases on verticality or horizontality. Here the terms define what they imply – a critical focus on either height or length, which is emphasized by the features of the cathedral. For example, the French penchant for height can be found in cathedrals such as Notre- Dame. The nave vaults rise 115 feet off the ground, at the time this was considered outrageously high. The main

First question: What the heck is a citadel? A citadel is basically a type of fortress on high ground that is heavily fortified to protect its city. The walls were “seven to thirty feet in thickness and typically thirty to forty feet high” (Kalif 1). This helped the walls provide a solid defense. The Citadel had many parts to it to provide a solid defense against an invasion force. The keep, or citadel, was perched at the top of the hill, looking down on the city it protects and helping keep a lookout

nature. There are buildings around the Denver Downtown area that specifically resemble that of the romanesque art style, an art style that was prevalent. As noted by the course textbook, the term “romanesque” is utilized to describe medieval European architecture. Romanesque art is distinctive and memorable due to the nature of its technique and its style varied based on the region of the church. Romanesque architecture consists of a symmetrical floor plan, with the podium usually in the back of the church

Castles are huge, they are the homes to many kings and lords. They are made of stone and are well fortified and protected against any attacks like sieges. Inside the castle there are many different rooms with different purposes. Three of the most important rooms in this castle that you would need to know about is the Great Hall, the Courtyard, and the Dungeon. These rooms all have a different purpose and different than all the other rooms in the castle. The first room in the castle you should know

the sides. However, early French cathedral don’t usually have an expended-out transept. There wasn’t much room in the additional space on the side. The Laon has a short choir, it might be the influence from St-Remi at Reims, which is the largest Romanesque church in Champagne. After that, in the 13th century, French cathedrals are influenced by English cathedrals. They start to extend the transept externally like the English cathedrals do. This can be demonstrate by the Reims cathedral mentioned in

Divinity of the Aesthetics of Geometry in the Gothic Era: Chartres Cathedral’s Rose Windows Churches and Cathedrals constructed during the Gothic era, are known to be extravagant works of architecture. One of the most identifiable characteristics of Gothic era architecture is the rose window. The use of circular stained glass rose window began to rise in popularity at the beginning of the 13th century and continued to during the Middle Ages. The construction of Rose Windows was a detailed process

All gothic cathedrals were built with a purpose; a place with a constant reminder of God, but what exactly is a gothic cathedral? “The medieval cathedral provided the Middle Ages with an impressive house of worship, a community center, a symbol of religious and civic pride” (Schlager 2). Since cathedrals were much more than a worship house, they were places for everyone to be allowed in and they offered a place for protection for all. “The Church started granting indulgences to those who would help

Decades Project: The Age of Immigration and Urbanization (1890s) 1. Photojournalism: A photojournalist, Jacob Rii, published his photojournalism “How to Other Half Lives” to show the living conditions in the lower East Side of Manhattan in New York City slums among the lower class and the immigrants (“The 1890's - The Age of Immigration.”). The photograph inspired many photojournalists and writers to explore more on the difference living conditions between American upper class and most immigrants

area and parlor with their enfilade association. Upstairs is a similar situation, with the Glessners’ bedrooms off the main hall to the east (left side) and the hirelings takes quarters off the long passage to the right. If the outside is Richardsonian Romanesque , the inside is unmistakably Arts and Crafts, in response to the period architecture and decoration that flourished in the manors around the house. It’s perfect example insides with exposed wood structure predominate, as shown here in the