Roy Cohn

[our] forefathers” (Proverbs 22:28). Everywhere we look, we come across a moral boundary that we at least think we should not cross, but cross nonetheless. “As ye sow, ye shall reap” is a familiar proverb we have all heard at one point in our lives (Roy 31). But is it true? Do we really get what we deserve? And if so, who then decides what is right and wrong? Who draws the line? Who sets the boundary? In Arundhati Roy’s The God of Small Things, most of the characters cross a moral boundary, we see

critique of the institution of dowry. Thus the excerpts bring value to the whole book itself and help Roy pursue her goal of criticizing the Indian society through literature and show how outdated the concept of a dowry is. These passages have also an importance because they challenge the society in a way that dowry, a widely used tradition by the people, is depicted as old-fashioned. Arundhati Roy depicts dowry as old-fashioned when she describes the hotel “Heritage.” Author says: “The furniture and

Investigating the Way in Which Two Young Individuals Make Self-Descriptions This study aims to investigate the way in which two young individuals make self-descriptions and how these may change with age in the context of the findings of Morris Rosenberg’s (1979). Abstract Rosenberg claimed that on the basis of his research younger individuals tended to describe themselves more so on a physical basis whereas; older individuals used character and/or relationship traits

“6 Harsh Truths That Will Make You A Better Person” is a listicle written by David Wong, the chief editor of the website “cracked.com”. In this article, Wong takes an atypical side to the tradition self help style of writing. He approaches the genre with an aggressive, volatile, angry tone to motivate those who find themselves unmotivated. Wong divides his audience into two distinct groups. He uses a scene from the famous 1992 movie Glengarry Glen Ross to his aid. This particular scene is the Alec

shadow on the woman with the child makes the painting appear to be three-dimensional. After seeing how representational a painting can be I decided to take a look at the opposite end of the spectrum. The other painting I chose is titled Stepping Out. Roy Lichtenstein did this painting in 1978. He worked as a commercial artist as well as a graphic designer before becoming popular as a "Pop Artist." Lichtenstein used a similar medium, which was oil and magna, but chose to paint his picture on canvas instead

here to present on the topic ‘Language in Indian Writing in English’. Basically I will be talking about the usage of language, the writing style, of blending language and culture and my analysis of it in the text - The God of Small Things by Arundhati Roy. The story of the Indian English novel is really the story of a changing India. There was a time when education was a rare opportunity and speaking English was unnecessary. The stories were already there- in the myths, in the folklore and the umpteen

with the realities of Marxism. Roy gives the reader an impression of three possible manifestations of the ideology, rather than presenting a biased reading for or against Marxism. Through Roy’s novel the reader comes to understand Marxism as it appears through Velutha, the oppressed worker, Chacko the Marxist-in-name only, and Comrade Pillai, the corrupt politician. Comrade Pillai epitomizes the idea of a corrupt politician. During his first scene in the novel, Roy describes him as “walking through

This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the

The film opens on the main character Victor Van Dort, the son of recently wealthy aristocrats, being forced to Victoria, daughter to a family of even wealthier aristocrats. (Russell) The Van Dorts are looking to raise their status in society through the marriage to the aristocrats, and the Everglots are hoping to further bury their secret bankruptcy and get their hands on the money they, wrongly, assume Victor’s family has. At the very beginning, Victor is shown to be a very reserved, shy character

In Didion’s emotional yet dominant essay, “On Self- Respect,” found in Slouching Towards Bethlehem, she defines the true meaning of value to oneself, while indicating that reactions of weakness and humiliation, based on the approval of bystanders, inhibits true acceptance. Her work was published in 1968 by Farrar, Straus, and Giroux to an American magazine Vogue, in a time when many intellectual Americans believed they were standing at the dawn of the Golden Age. The emergence of The Human Potential