Royal and noble styles

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    Francisco Goya

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    In Winter, peasants trudge through the storm with a slaughtered pig. The bright pink used in the color of the pig is symbolic of the Rococo style. A fierce wind blows the tree to near breaking, further communicating the harshness of the weather. Among the colorful scenes that make up this set, it is undoubtedly in those dedicated to winter that Goya manifests, for the first time in this cartoon

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    Jack Woodward AP Euro/ Period 1 9-1/17 1: One broad theme of this chapter is the development of individualism and humanism, and how they shaped the Renaissance. These beliefs changed and shaped the renaissance because they supported the idea of allowing individuals to choose their faith in religion and their jobs. For example, the time of humanism and individualism during the renaissance inspired others such as Plato to teach the best way to define something and Baldassare Castiglione to write

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    Absolutist French Monarchs and the English Parliament were two different political styles implemented by two different countries in early modern Europe. Each government style was different and the success it also varied. The French and English both had at least partial success, and accomplished this with two very different ruling styles The English chose to govern through a style known as monarchy. This system gave everyone a say in the government. English’s governing body consisted of a King

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    a way in which a wealthy land owner, or noble, with the blessings of a monarch or king, would govern and protect the individuals that worked and lived on his land. These nobles offered hired protection in the form of Knights to protect their land and all who inhabited and served on it. Though nobles had much power and were essentially the most influential leader that many of the people who lived on the land would have any contact with, ultimately the Nobles served and enforced laws through the

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    Vitus were founded in the first half of the 10th century. • Medieval Castle • King Ottokar II of Bohemia improved fortifications and rebuilt the royal palace. • In the 14th century, under the reign of Charles IV the royal palace was rebuilt in Gothic style and the castle fortifications were strengthened. Hradcany was then officially recognized as a royal town. • In place of rotunda and basilica of St. Vitus began building of a vast Gothic church, that were completed almost six centuries later. •

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    the understanding of the hierarchy that placed the peasants below the nobility. The hierarchy had God on the top, followed by angels before kings and queens then nobles followed by peasants, then animals followed by plants and nonliving things at the bottom of the hierarchy. The belief that God chose some people to lead and others to be noble was widely held. As a result, the poor had a rough time fitting in the

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    refers to a style of art that appeared around 1600 C.E. and continued until 1750 C.E. and was named after the Portuguese word barrocco which refers to irregularly shaped pearls further referencing the styles gander (Fiero, pg. 46). The baroque era in France was shown with its art and architecture. Baroque is an odd era of art to define as there is not simply one version of the style but three. The first style originates in Italy and was also where the general Baroque style was born. This style was born

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    These men were often referred to as the prelates, were well educated, and lived in palace style homes (“Social Status and Community”). Below the ordained clergy, worked the regular clergymen. These men included the urban priest who was the head of local churches in the cities, cathedral canons who were the head of cathedrals, and parish priests

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    Cuzco Culture

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    They were mostly of baroque style with local adaptations, which created a unique and high quality mixed configuration representing the initial juxtaposition and fusion of different periods and cultures, as well as the city’s historic continuity. The city’s remarkable syncretism is

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    Flockhart. The second was a budget film made for channel 4 by Royal Shakespeare Company. Adrian Noble was the producer and the film was made in 1994. It was much more surrealistic because this version of the film was based on a young boy's

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