Ruben Studdard

The color scheme of the piece could be called monochromatic. A large majority of the piece is simply the different shades of brown and orange that are used for the lions and the rocks. However, Sir Peter Rubens decides to add a bright red colored cloth behind Daniel in order to add variety and interest to the viewer. With the use of all the elements of design, Sir Peter achieved various other principles of design. Balance, for instance, is established through

The color of the sculpture is of skin tone, but the way Bernini sculpted the lines created shadowing in his skin. You can tell the strength of David by all the carved out muscles that are all over his body. Peter Paul Rubens a renowned humanist and diplomat in his time. Was the most influential baroque painters in northern Europe. He studied works of Michelangelo. When he returned up north he was very sought after and opened a large studio with much assistance. He was

Counter-Reformation, used art to inspire emotion in the churchgoers’ and the general public audience. One of these artists was the Flemish artist Peter Paul Rubens, who painted both religious and mythological scenes. One of his greatest works was a gigantic canvas representing the punishment of Prometheus that was co-painted with his assistant, Frans Snyders. Rubens’ Prometheus Bound represents how mythological

Peter Paul Rubens (b. Siegen, Germany, 1577; d. Antwerp, 1640) was a Flemish painter revered as the most versatile and influential baroque artist of Northern Europe in the 17th century. Rubens’s art emphasizes the theory of artistic imitation, and blends features of the Italian High Renaissance and Northern realism with elements from antiquity. Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In his painting Venus and

of wealth and power. He re-works the history he wants to tell, and how much he wants to portray in his works . He photographs his subjects, and have them pose in the poses of the artists he draws inspiration from; Baroque Flemish painter Peter Paul Rubens, British artist Thomas Gainsborough, and Napoleon’s court painter Jacques-Louis David. There’s a reason he draws inspiration from these artists, “there is a reason for that” Says Wiley “ and that has to do with power” These poses are meant to evoke

The Consequences of War was painted in 1638-1639 by Peter Rubens for the Medici family. Peter Rubens was a humanist and a Northern Renaissance Flemish painter who was famous for his mythological and historical style, unlike most Reformation artists. Peter Rubens, at the time of this painting, was also a diplomat living in the midst of the Thirty Year’s War. He used this to express his feelings on the conflict, which were not positive. The center of attention was put on Mars, the Roman god of war

Touring at the Nelson Atkins Museum of Art, I got to see many paintings from different eras. The area that interested me the most was the Baroque style. Specifically, the painting called “The Sacrifice of Isaac” by Peter Paul Rubens which stands around 55 ½ x 43 ½ inches (Zarling, 2014). It is an oil painting on wood panel was made in 1612-1613 Baroque period (“Peter Paul”, n.d.). Since the Counter-Reformation, the style of paintings has become more realistic and dramatic with light, color and space

readings was Peter Paul Rubens’ The Raising of the Cross. I believe the piece is a culmination of influences from his predecessors and contemporaries and religious works of the Baroque period. I also see this work in particular as a very obvious embodiment of emotional realist art, though with its own original and unique interpretation of the art style. It is apparent that the Carracci brothers’ Ceiling of Gallery inspired Rubens’ work. From studying their work, Rubens learned anatomical accuracy

How often do we see things in life that require a double-take, a second glance, a follow-up look, or even multiple subsequent studies? The answer is quite simple: everyday. The things we often look at a second time are often not intellectually worth the look, whether it be an irrational teenager attempting some outrageous skateboarding stunt, a monkey drinking its own urine, or even a two-headed cat, people have stopped spending their second or third glances on things that are meaningful and sensible

Kim 1 Diego Velázquez 's Las Meninas Las Meninas by Diego Velázquez is depicted as a group portrait of Spanish King Philip IV (8 April 1605 - 17 September 1665) at the Habsburg court. The painting well demonstrates Velázquez 's painting techniques that can be recognized by dramatic mood, rich color and extreme contrast between light and dark. It is absolutely extraordinary and implies influences Velázquez has had, especially Flemish Baroque realism. Velázquez had a deeper ambition in his mind when